Black Metal

Two of the majestic forces within the circle set off on a sinister dark journey down the malicious path, perpetuating an opening that slides deep into various pagan platitudes, mysticism and misanthropy. The macabre act devoted to these two pieces of raw black metal/sinister omens, was revealed in an incandescent act of absolute solemnity towards funerary art, pagan works and the putrescence of evil… both works achieved in a semi-rehearsal type quality that provide an overwhelming musical performance soured with the demonic poison that they recite in each of the death hymns.

Dungeon Synth

– specifically mastered for vinyl by Patrick W. Engel at Temple of Disharmony
– 180 g classic black vinyl
– 350 gsm gatefold cover with 3 mm spine
– poly-lined inner bag and PVC sleeve for best protection

Dungeon Synth

The third album by the enigmatic Old Tower titled “The Last Eidolon” tells a sombre story of a kingdom laid to waste by its own creator through the corruption of dark magic and possession of destructive spirits. Because of wrongful decisions, spiritual rebellion and the misuse of ancient yet dangerous practices these malevolent forces started to turn against the enchanter. And so fell his once proud and powerful dominion. What was once great has now been reduced to a hollow manifestation of its old self. The long and weary process of reclaiming its former glory has begun…

Throughout the “Grim Alchemy” trilogy, smithed in conspiracy with the mighty Hospital Productions, The Specter meticulously crafted his own style of medieval dark ambient. “The Last Eidolon” is an elongation but also a new direction of this concept and will take the listener on a desolate journey spanning three, long chapters. Faded memories of a dark past will shimmer in and out of existence throughout these epic compositions yet the energy of renewal is flowing from the fountains of the old kingdom.

Dungeon Synth

the masterful new album from oId tower. Traditional and yet alien, the deconstruction of regression as transformation from man to beast, which conceptually was felt throughout the project’s wanderings but steps forth fully from the shadows on ‘the old king of witches.’ Shaving down to the bone and trimming the fat of the carcass to incant without rest and without resolution, oId tower resurrects the dying breed of dark ambient with ’90s deep electronics to conceive of a new form of DARK MUSIC.

Black Metal

When this child of death and perversion was founded, no specific genres were in mind, merely devilry was our polestate when producing the very first words and tunes.
Since we sincerely don’t give a fuck about categorizing something based on our deepest beliefs, we should not spend too much time speaking about the fact that this music exists through The Evil One and NEVER vice-versa!
Our goal is to let you, the listener, truly feel the atmosphere and mysterious meaning behind it all.
Listen to our music and find inspiration; after all, that’s the whole point behind it. We believe in the innumerable figures of evil in the world, manifested in countless ways. The Devil’s mysteries are too many to fully mention, for they are not for us to find out.

Black Metal

This divine opus was released in 2001. It was the first ONDSKAPT release in the history of the band. Finally we can announce that it is back from its tomb. Re-mastered and re-issued, you; the listener can hear a far more clear and dynamic experience of its entirety. “Slave Under His Immortal Will” was the starting point of a path leading into the vast beyond. We are truly proud to finally have had the possibility to make this re-release happen. Embrace this piece of pure dedication and pristine devilry.