Black Metal

The second demo incantation of Black Metamorphosis is the perpetual waltz of dead prayer grief. An accelerated astral projection adventure through obsidian crypt maze cold, one driven by ominous coalition of emaciated tomb ritual production, rust organ synth ministrations, vacuum howl rasp orations, atmospheric tremolo melody infections and a decadent gothic lamentation of miserable thematic. In worship to those Black Legions of yore, Black Metamorphosis draws those mortals experiencing it to spiritual transformations of morbid romance, pallid flesh of undead reverie intertwined in sanguine spirit excavation.

Black Metal

Re-envisioned, re-ensorcelled, and resurrected from the grave soil of Perth, Australia, rises those dual emanations of phantasmal possession, Desgranges & Black Putrescence, both of which have been under the power of the one known only as B.C since the earliest age of the 21st century of terror. Exhuming grimoires of old and dusting off those bloodstained pages of yore, B.C has taken two of his most powerful entities—those of the blackest raw dissonant sorcery—and delivered upon the mortal world a spell from each. So it should be fitting then that the iron tomb tower of GoatowaRex filth rot worship brings these two spells of ancient stench to acolytes upon seven inches of sodomy, upon the raven of wax and blackest of vinyl.

Threshold Consciousness is the wandering ambience of the empty mortal spirit swallowed whole by the spiral madness of a reality steeped in death, shit, and morbid melancholy. Whilst brief in its exhalations of ennui, this split incantation drives the knife deep despite this two spell strike length, and scars those experiencing its sharp misery with a soundscape of lonely rasps, droning ambience, clashing percussion, infectious tremolo, and a production that rides the line between crypt and clear to perfection. Any with even a fleeting interest in the legendary tomb cult majesty of Australia raw black depravity should seek to obtain this artefact of despair, for the sorrow contained within is bittersweet to the taste, languor addictive as it laces the blood with poison of black.

Black Metal

Burier IV – Wielding Malignity – an auditory altar, forged to conjure a series of surreal, blood drenched nightmares, permeated by abstract and otherworldly expressions of rage, pain, and horror.

Originally planned in concept as 7″ format, the material overflowed and the result is a 12 track 40min full length release.

Recorded at the end of the Australian summer MMXX, Burier IV is comprised of tracks that are short in length and aggressive in nature, bursting forth with a sharpened edge.

Burier IV could be considered a conceptual anomaly, yet is undeniably congruous with the Burier catalog of recordings so far, employing similar palettes of darkly coloured, complex instrumentation and tortured, shrieking vocals, dynamically pulsating, here wielded with a heightened sense of ferocity.

Exclusive import from Goatowarex (CHINA).

Black Metal

Flesh Megalith, the self title debut LP is the maw of meat cromlech mound, the gnashing teeth of the earth, one that plys it’s subversions of physical mortal form through infectious expression of decadent death doom sorcery. A crushing pace of power chord putridity, hypnotic stone press percussion, melodic solo reverie, deep growl oration, and a suffocating atmosphere that weighs those experiencing it by the weight of megalithic oppression. In a way one can compare it with cavernous death doom genre but there are so much more details hide behind the gigantic wall of sonic fresh.

Available on soaking blood heavy weight vinyl, in gatefold jacket with additional insert, and OBI.

Dungeon Synth

LP of Forest Temple debut album.

Black Metal

It has been couple of years since the release of acclaimed ”Graveyard Séance” EP and the Finnish black heavy metal cult FUNERARY BELL returns with their anticipated second full-length album aptly titled for ”Undead Revelations” to redeem the dark promise given with predecessor!

The band has always drawn their inspirations from old school metal ever since their debut EP ”The Second Manifestation” that saw the day of light in 2009, yet now with ”Undead Revelations” the band has embraced a whole new level of old school atmosphere with very strong touch of classic heavy metal sound that has been assimilated together with their distinct blend of black and death metal sound they are known for. Lyrically and thematically their ethos draws from horror, mysticism and occult which all together comprises brazen and relentless black heavy metal!

Black Metal

Grógaldr is the carnal compilation of this entity’s grim conception. A litany of heresies unshackled and let loose one last time before the grimoires of Grógaldr are finally brought to a close. A ravishing onslaught of tortuous tenacity, Grógaldr favours the sounds of an endless fury here, delivering a blistering percussive framework of perpetual blast beats and flesh weeping tremolo entropy—these sections contrasted by breakdown of blood and hallucinogenic soundscapes of hissing guitar torment reverb feedback. Hypnosis of hellfire and void of wandering, Grógaldr may very well be the only chance to obtain these occult orations upon vinyl wax, before they are sealed away again, this time, for an eternity.

Black Metal

Beuverie, musique du diable et misère crasse being the permafrost creatures debut incantation, it wastes no breath on the inane or superficial, relying on true dedication of chilling artistry. It is through a morbid melange of glacial atmosphere, clashing percussion, dissonant tremolo melodic and contrasting acoustic expressions, that Mort aux Gueux works its weald worship sorcery.