Finnish Black Metal

Side Steel And Honour was originally released as the Bound By Steel And Honour cassette.

Side A** North was originally released as the Defending The A** North cassette.

Black Metal

The first full-length black metal onslaught of Chilean Black Metal project Aarkanne, Mysterii, which followed the release of the debut Aarkanne demo entitled ‘De Profundis’ which was unveiled in November, 2020. Mysterii is a testament to the agonizing punishment of raw black metal with deathlike structures that enforce a flurry of distorted chaos. Six tracks of this thunderous South-American raw black metal carnage that are consistently punishing, Aarkanne delivers these strong waves of melodic plague in this LP. Pure hatred and disgust captured into six tracks of destructive raw black metal that stands for ultimate torment to the depraved.

Black Metal

Mysticism, magic, occult arts and rituals, all of which are driving factors behind ΑΧΕΡΟΝΤΑΣ, are also the most adequate words that can be used to describe the band’s image, sound, and lyrics.

The band is considered as one of the leading representatives of the second wave of Greek black metal, heavily influenced by the original Hellenic metal scene, retro rock (especially ’70s rock), and occult/spiritual philosophy & activism.

ΑΧΕΡΟΝΤΑΣ commented on the new album: “The new Opus, bearing the fiery symbolic crown of The Seven Tongues of ΔΑΗΜΩΝ, unto the realms of matter. The sands of creation shall shift once again, as the new album of the Coven signifies the sail towards new horizons, fertilizing the grounds with blessed sonic resources to bear fruits on spiritual levels”.

Regular version, includes 16page 12”-sized booklet and A2 poster

Black Metal

Dark music from Portugal. A strange and stripped down blend between Black Metal, rock music, melancholy and rage.

Vinyl version comes with a lyric sheet and an A2 double sided poster.

Black Metal

Second album. One of Australian black metal’s best-kept secrets, ADVENT SORROW have been in a perpetual state of refinement for a decade now.

In 2015, the band released their debut album, As All Light Leaves Her, a haunting ‘n’ hovering slice of prime DSBM. Since then, ADVENT SORROW have been planning a grand rebirth, and it arrives at last with Kali Yuga Crown: a bolder, more muscular iteration of total solitude & inner destruction. As suggested by its cover art and especially its title, Kali Yuga Crown steps forward toward ADVENT CROWN at their most Alpha – richer, rougher, more well-rounded, yet exuding an arrogance suitable for their newfound finesse – and a sound that poignantly straddles the skyscrapingy epic and remorselessly violent. Truly panoramic, this is black metal that breathes an atmosphere of past, present, and future; no easy, trendy sonic signposts here nor safe digestion for ears weaned in the social media era. Roots to ADVENT SORROW’s earlier days have surely been planted across Kali Yuga Crown, but the foremost importance is its destination: song titles like “Wolfhook and Weapon,” “With Conviction,” “Caesar,” and most definitely “Death in Magic Antagonism” should say more than enough. And with this record, ADVENT SORROW have indeed arrived.

Gatefold Black Vinyl 12″ LP + Poster

Acoustic / Black Metal

20th Anniversary release of Agalloch`s classic recording, now remastered and equipped with extended artwork in a nice package.

Dungeon Synth / Black Metal

These two purveyors of strange combine forces to investigate reports of a mysterious creature in West Virginia.

3 different colors (with the silkscreened jacket ink matching each vinyl color).

Variants will be shipped at random, no exceptions.

Black Metal

Released in 1995 by the pivotal Full Moon Productions, Oimai Algeiu was underground black metal for underground black metallers. Not kowtowing to increasingly trendy Scandinavian sounds, no “romance” or gothic or vampires, and definitely no mosh nor no fun: ALGAION here created a surging and windswept landscape on which to paint dark desires and honor that Hellenic pantheon. It was a raw landscape, to be sure, but one contemporaneous with their Greek brethren and duly emitting a perhaps-colder atmosphere than the duskiness usually associated with that scene. However, above all, it was the songwriting itself which put Oimai Algeiou amongst that hallowed company, pulsing with a simple-yet-sublime melodicism and never-forgotten heavy metal spirit, all dusted with just the right amount of melancholy and the subtlest hint of synth.