Black Metal

Anubis was an obscure Hungarian cult black death band that produced only one demo in 1992 and an unreleased demo in 93 before fading into the shadows. This LP compiles both recordings, fully mastered for vinyl by James Plotkin. Layout was carefully reconstructed from the original artwork and includes all published lyrics + rare photos from the time period. Limited first pressing of 200 copies on vomit colored vinyl.

Tracks 1-8: “A Halál Oldalán” Demo 1992.
Tracks 9-11: previously unreleased demo from 1993.

Black Metal

Fifteen years ago, Black Witchery and Conqueror, both still virtually unknown outside of a small cult of maniacal blasphemers, united for the split release entitled “Hellstorm of Evil Vengeance.” Exploring a style that few North American bands dared approach at that time, Black Witchery and Conqueror inherited their extremist tendencies from the likes of Blasphemy and Sarcofago among others. Looking back, the release can now be regarded as something of a statement of intent in that it signified the establishment of a second wave of Bestial Black Metal and set the course for the future of the genre. Although external circumstances would necessitate the termination of Conqueror’s mission immediately following the release of the split, J. Read continued treading the path of the Superion with Revenge and R. Forster was initiated into the ranks of Blasphemy. Black Witchery also persisted through the years, assuming a well-deserved, prominent place among the bestial legions. Since the split release in 2000, Black Witchery and Revenge have shared numerous stages all over the world and maintained a united front within the underground. Similarly, NWN!, which also began its campaign of atrocities in 2000, established its dominion over the chthonic depths of the Bestial Black Metal underground. Having settled into their respective roles as progenitors of a particular faction of extreme metal, it is time to assemble the unholy triumvirate of Black Witchery, Revenge, and Nuclear War Now! once more. For this release, Black Witchery turn in one of the band’s most primitive and punishing recordings to date. The three tracks on this record herald the arrival of Black Witchery’s new guitarist Alal’Xhaasztur (of Nyogthaeblisz, Hellvetron, and Nexul) alongside core members Vaz and Impurath. While the Black Witchery tracks approach regions of boundless chaos, the Revenge side is a frenetic display of precision attack. Revenge’s sound on these tracks is more refined, focused, and violent than ever. “Holocaustic Death March to Humanity’s Doom,” honors fifteen years of relentless warfare while simultaneously ushering in a new aeon of darkness.

Death Metal

In 1991, Dark Opera was formed in Łódź, Poland, the very same city in which the band’s compatriots of similar ilk in Pandemonium had united approximately two years earlier. Dark Opera’s first year of existence was plagued by several lineup changes, but it stabilized later that year when the band began to write its own songs and played its first live gig in Łomża. The following April, Dark Opera recorded its first demo, “The Day of Pariah,” at Ariadna Studio in Łódź. Originally, this cassette was self-released, but the band was later signed by Carnage Records, who released a second iteration of the tape with alternate artwork. In 1993, the band added a second guitarist and recorded its first and only album, “Calling the Legend,” in April of that same year. Like the demo that had preceded it, the album was released by another Polish label, Baron Records, who made it available on cassette format only. Like the aforementioned Pandemonium, Dark Opera’s music was reminiscent of the great Samael and others like Alastis and Taranis, but it also incorporated a somewhat greater influence from both death and doom metal. Nuclear War Now! is proud to be the first to reissue both Dark Opera recordings on vinyl and thus continue its neverending objective of rekindling the great fires once set and then left unattended in the most obscure caverns of the underground.