Black Metal

Limited edition of 500 copies with 12″ inlay.

Black Metal

After many demo recordings, Black Door unleashed its first fulllength output, consisting of five intense hymns in devotion to Older Gods. Chaotic riffs, screams in reverence, and wailing chants form the harbinger of an elder spirit’s coming. One which is not welcoming.

Black Metal

Compiles the EPs ‘One Touch Is Enough’ and ‘Where Desert Shadows Dance’ on one LP.

Black Metal

From the forbidden depths of vampiric sorcery emerges Black Funeral’s most haunting conjuration, “Empire of Blood” – a spectral tapestry woven from the arcane mysteries of the undead nobility. This otherworldly opus channels the ancient magicks that flow through immortal veins, where centuries-old rituals bind the living to eternal darkness. Black Funeral is one of the originators of “Vampyric Black Metal” from the early to mid 1990’s! Each track unfolds like an incantation from blood-stained grimoires, driven by haunting tremolo melodies that spiral through the shadows like phantoms in midnight procession. The album’s ethereal atmosphere conjures visions of pale aristocrats performing forbidden rites in candlelit chambers, their empire sustained not by conquest but by the dark arts that transcend mortal understanding.

Black Metal

From the frost-shrouded crypts of eternity emerges Black Funeral’s unholy testament, “Vampyr Throne of the Beast” – a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.
Each track unfolds like parchment scrolls inscribed with forbidden knowledge, weaving tremolo-picked melodies that slice through the veil between worlds. The album’s frigid atmosphere conjures images of candlelit chambers where vampiric nobility hold court, their pale forms draped in medieval splendor as they preside over kingdoms of bone and shadow.
Raw, hypnotic passages cascade like winter winds through gothic spires, while ritualistic percussion echoes from stone halls where no mortal foot has tread for centuries. The production’s deliberate coldness preserves the necromantic essence – each note crystallized in ice, each vocal incantation rising from depths where daylight dare not venture.
“Vampyr Throne of the Beast” stands as a grimoire of black metal orthodoxy, summoning the spectral majesty of Europe’s darkest medieval legends. This is music for the witching hour, when the boundary between the living and the eternally damned grows thin, and ancient powers stir in their unhallowed thrones.

NOTE: Pre-order – Sent on 09/26/2025

Black Metal

From the frost-shrouded crypts of eternity emerges Black Funeral’s unholy testament, “Vampyr Throne of the Beast” – a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.
Each track unfolds like parchment scrolls inscribed with forbidden knowledge, weaving tremolo-picked melodies that slice through the veil between worlds. The album’s frigid atmosphere conjures images of candlelit chambers where vampiric nobility hold court, their pale forms draped in medieval splendor as they preside over kingdoms of bone and shadow.
Raw, hypnotic passages cascade like winter winds through gothic spires, while ritualistic percussion echoes from stone halls where no mortal foot has tread for centuries. The production’s deliberate coldness preserves the necromantic essence – each note crystallized in ice, each vocal incantation rising from depths where daylight dare not venture.
“Vampyr Throne of the Beast” stands as a grimoire of black metal orthodoxy, summoning the spectral majesty of Europe’s darkest medieval legends. This is music for the witching hour, when the boundary between the living and the eternally damned grows thin, and ancient powers stir in their unhallowed thrones.

NOTE: Pre-order – Sent on 09/26/2025

Black Metal

LLN cult material.

Feast demo (tracks 1 to 6 ):
Recorded on 4 tracks in 07/1995 at Wlad’s place, Brest.
Digitized and remastered from a 1st gen copy in 09/2018 by Wlad.

Black Metal

Intense Black Metal with suffocating atmosphere and evocative instrumentation.

In the bands own words “Black metal in its purest spirit, inspired by the artist Francisco de Goya y Lucientes.”

Black / Trash Metal

With its previous releases from the likes of Reencarnación and Nemesis, Nuclear War Now! has demonstrated its affinity to the “Ultra Metal” scene that was endemic to the city of Medellín, Colombia in the late 1980s and early 1990s. This strain of unhinged fury was spawned by the great Parabellum, who is recognized as the first extreme metal band to emerge from Colombia and one of the first from the entire continent of South America. Upon Parabellum’s disbandment in 1986, the similarly-styled Blasfemia was born. Founded by two members of Parabellum, Ramón Restrepo (vocals / bass) and Jhon Jairo Martínez (guitars), Blasfemia sought to outdo the rawness and brutality of its predecessor in a sound that reflected the harsh reality of existence in a place ruled unofficially but unequivocally by the sinister hand of a powerful drug cartel. To execute this vision, the two founding members called upon the services of neighborhood friend and percussionist Luis Fernando Cano. Between 1986 and 1988, Blasfemia performed live a handful of times with bands such as Reencarnación, Nemesis, Astaroth, Profanación, Necromantie, Glöster Gladiattor, Necrofilia, and others. It also recorded several demo tracks and, most notably, a four-song EP entitled “Guerra Total.” The EP was released on 12-inch vinyl format in two separate iterations by two different entities in 1988. The more limited version was apparently pressed on only 100 copies and is identified by its gray center labels, but it was not fully endorsed by all members of the band. The other edition, which features red center labels and a secret needle mark, was pressed on 500 copies. Alternate versions of two previously-recorded tracks were also released on two different compilations in 1988 and 1989 before Blasfemia essentially disappeared until its reemergence in 2011.

RAC

Side A – Blood In The Face
Tracks 1&2 recorded in 2022
Tracks 3-6 – Beatdown Sounds Demo recorded 2010

Side B – White Wash
Tracks 1&2 – Unreleased 7″
Track 3 – Taken from the TX Oi-Core split
Track 4 – Corrected Version
Track 5&6 – Live in Florida 2003

Black Metal

One of the highlight of the last year, the first full of Blood Libel is finally available again on LP

Heavy 180g 12″ LP with 4 pages 12″ Insert.

Black Metal

Dark and relentless scent of true Black Metal.