RAC / Oi!

The legendary 1992 Skrewdriver album “Freedom What Freedom” is back – now in an edition featuring a total of 18 tracks! The album includes not only 11 songs from the original release, but also seven bonus tracks from the “Hail The New Dawn” LP, which are sure to delight fans and collectors alike.

With “Freedom What Freedom,” the band achieved a return to a different kind of strength. Following their first album, “The Strong Survive” and “Live & Kicking,” Skrewdriver fans will experience more of their original sound—with a new lineup featuring Ian Stuart on vocals, Stigger on guitar, Jon Hickson on bass, and John Burnley on drums. The multifaceted guitar playing is particularly noteworthy. Every solo is a delight, distinguished by the structure and emotional content of the songs. The drummer shines with his precise percussion, making the band’s sound even more impressive and powerful.

Black Metal

Ultra Lo-Fi Black Magic by SKUGGEHEIM, one of Norways best kept secrets.
All material carefully collected in close conspiracy with the artist and, believe it or not; fully remastered .
This vinyl includes all phases of the EP series collected in the correct order, including the never materialized Fase Fem.

Black Metal

Ultra Lo-Fi Black Magic by SKUGGEHEIM, one of Norways best kept secrets.
All material carefully collected in close conspiracy with the artist and, believe it or not; fully remastered .
This vinyl includes unreleased demo tracks + WULKANAZ split track.

RAC / Oi!

The album “A Cry of Pain” (also: “Cry of Pain”) was first released in 1991 on Herbert Egoldt’s Rock-O-Rama Records (sub-label “United Records”) and was the band’s third and final contracted studio album on that label.

Skullhead was a British Rock Against Communism (RAC) band from the 1980s from the Newcastle area. Along with Brutal Attack, Skrewdriver, and No Remorse, they were one of the most notable bands of this genre. Led by Kev Turner, who later became known in the northeastern England rave scene as “MC Techno T,” they began as an Oi!-style band and later incorporated elements from heavy metal and other forms of rock music. Skullhead described themselves as a “third position” band and wrote lyrics primarily about British pride, Norse gods, and anti-capitalism.

American NSBM

LP version of “A Kall to Whips ” from the cult project Slave Whipping Blasphemy.

American NSBM

LP version of “A Kall to Whips ” from the cult project Slave Whipping Blasphemy.

RAC/Oi!

In the 1980s, France produced a number of impressive Oi! bands that stood out for their energy, authenticity and passion. One of the most outstanding representatives of this genre was undoubtedly the formation, which originally consisted of three brothers – Didier (vocals), Boni (drums) and Manu (bass) – as well as a childhood friend, Fred (guitar). Their 1986 record “Quand Le Soleil Se Levera” (Eng: When the Sun Rises) is a milestone of the French Oi!. Recorded in Lille, the band’s hometown, the album combines raw Oi!/Punk with catchy melodies and engaging lyrics. Classics like “Ces Annes La”, “Europe” and “Clockwork Orange” show the group’s versatility and their ability to captivate the listener.

Dungeon Synth

Solanum was founded by B.S. back in 1997 after Depressive Silence split up. Compared to Depressive Silence Solanum’s concept is more cosmic and its sound has a different, rather uplifting and more futuristic atmosphere, but like Depressive Silence the Solanum demos are genre classics and provided a considerable influence for later Dungeon Synth and Cosmic Black Metal projects.

So it is a great honour for Northern Silence to be able to reissue both Solanum demos, remastered for optimal sound, and for the first time ever with exclusive artworks by master artist David Thiérée.

Dungeon Synth

Solanum was founded by B.S. back in 1997 after Depressive Silence split up. Compared to Depressive Silence Solanum’s concept is more cosmic and its sound has a different, rather uplifting and more futuristic atmosphere, but like Depressive Silence the Solanum demos are genre classics and provided a considerable influence for later Dungeon Synth and Cosmic Black Metal projects.

So it is a great honour for Northern Silence to be able to reissue both Solanum demos, remastered for optimal sound, and for the first time ever with exclusive artworks by master artist David Thiérée.

Noise

Formed in 1984, Solmania is a music experimental project of Masahiko ”Masaki” Ohno and is one of the earliest amazing noise projects out of Japan. Pushing far beyond expectations of free improvisation, Masahiko weaves blistering passages that incorporate touchstones from progressive , punk, metal, noise, and drone, into more intricate movements of dystopian avant-gardism, culminating as a strikingly forward-thinking expanse of sonic creativity that pushing toward uncharted ground.
Erosion captures an astounding concert at Eggplant, in Osaka May 15th 1987, recorded at the venue, using guitar, tape, radio, metal, turntable and voice and published on cassette by Solmania own legendary label Fatagaga Tapes the same year in very limited edition. Fully remastered from the original analog tapes, vinyl is comprising a single, extended work over two sides, for about 30 minutes where the artist dives into one of the most joyous and tense musical expressions to have emerged during that decade, generating dense, trance-inducing guitar drones that seem to touch the eternal, washing the ear in rich overtones and harmonics embellishments that transcend their sources – the original instrument – in uncanny ways.

Black Metal

Indonesian Symphonic Black Metal.

Mixing melodic black metal and synth seamlessly to craft a coherently amazing release.

Black Metal

Indonesian Symphonic Black Metal.

Mixing melodic black metal and synth seamlessly to craft a coherently amazing release.