Black Metal

Moonblood’s Reh/Demo 9, recorded in October and December 1996, professionally restored from the master tape and specially mastered for LP with a length of almost 90 minutes, spread on 2 LPs.

Black Metal

Recorded during several sessions from May to December 1997 with partly a common cassette recorder and later with a 4-track-recorder.
The recording itself remained unreleased and is known as Rehearsal 11, entitled “Worshippers Of The Grim Sepulchral Moon”.

Black Metal

Recorded during September/October 1995 with common cassette recorder.

The recordings are know as Demo 4 “Siegfried – Die Sage Vom Helden”, limited to 50 copies.

Professionally restored from the original tape and specially mastered for LP.

Black Metal

Limited edition re-issue, comes with the same folded double sided coversheet as the first edition, 250 on transparent red/black marble vinyl and 250 copies transparent blue/black marble vinyl, both editions will include a flag,
Exclusively distributed by Darkness Shall Rise Productions

Black Metal

Consisting of the entirety of this band’s output to present this two track demo is a scathing opening manifesto in metal ferocity. Each track sprawls itself out into movements that span various metal styles seamlessly. Without feeling like separate tracks the opening tracks “Seeking Our Monolith in the Night” defies tempo and characteristic limitations while creating a luminous meditative twenty minute opus. As if that wasn’t quite enough “At Last, the Moongate” closes the release by exploring these auditory realms even further and brings in other elements to round out the release in an even further hypnotic fashion. Enveloping, engaging, and slightly terrifying.

This mysterious band released this album originally on tape in 2018 and have remained silence since. They’ve been likened to Sanguine Eagle and Paysage d’Hiver, though such statements don’t do this justice. Avoid to your own detriment.

Edition of 150 on black vinyl

Black Metal

A new split between these two underground entities.

Silver Hotfoil jacket.

Black Metal

It was but November 2018 when MORGAL fully burst onto the international scene with their self-titled EP for WEREWOLF. At the time, two of their members were not yet even into their 20s, which perhaps explains the exceptionally foul electricity coursing through the 15 shock & awe minutes of Morgal. And despite that young age, MORGAL brazenly exuded the ageless wisdom of true black METAL – so ageless, in fact, that you’d be forgiven for mistaking that EP as the work of very old men. Alas, Morgal was hailed far and wide by all who heard it, and the fever pitch for their true debut album has only grown in intensity.

Black Metal

Classic album from 1997 available again on LP!

Masterpiece of Norwegian Black Metal

Black Metal

The classic album of 1997 finally reissued again on LP

Quality gatefold jacket, original cover art

Black Metal

Totaling 22 minutes in length but by no means any less vast because of it – quite the opposite, in fact – Traveler of the Untouched Voids sees MORKETIDA travel further down their own, ever-more-idiosyncratic path. Still largely downtempo but unafraid to kick into hypnotic blasting, here do they explore swampier and more eldritch terrain, heightening the beyond-the-shade atmosphere ever more through patient, plaintive melodies and more rugged expressions thereof. The organ of yore has been replaced by ocassional touches of mystical synth in a most early ’90s manner, while the vocals similarly plumb stouter depths. If anything, one could say that MORKETIDA are nodding more toward an ancient Eastern European expression or one less-than-tangentially removed from the contemporaneous Hellenic scene. Either way, their exploration of the unknown continues with Traveler of the Untouched Voids…

Black Metal

For those who’ve lurked within the black metal underground for the past two decades (or even longer), the name MORRIGAN should be more than familiar. As Mayhemic Truth from 1992-2000, the band released a steady stream of demos that bowed before the ancient altar of the almighty Bathory. The shimmering darkness that Mayhemic Truth created back then was an untrendy counterpoint to black metal’s increasingly mainstream aspirations during that period, and also served as an oft-overlooked pillar of Germany’s black metal underground. However, when the band changed their moniker to MORRIGAN at the dawn of the new millennium and released their debut album, Plague, Waste and Death, in 2001, changes were afoot – and they were grand. For the rest of the ensuing decade, MORRIGAN moved on from Bathory’s more hard-charging style into the glorious “Viking era” marked most poignantly by the dual classics of Hammerheart and Twilight of the Gods. Their exploration of Quorthon’s pagan ruminations soon became an almost parallel realm of unrecorded Viking Bathory work, both sincerely devoted to those twin tomes and simultaneously expanding upon them, the latter largely through the exploration of Celtic mythology. In short, this was the true sound of MORRIGAN, and they quietly led others into new-yet-old pagan vastlands.