Black Metal

Re-issued on quality digipack with original layout.

Black Metal

On the threshold of the coming Ragnarok, Graveland comes to you armed with a new full-length album, with music that was created from the ashes of past battles. The new songs that revived like a phoenix from legends and myths and the most epic Graveland works such as “Thousand Swords” are a continuation of this style of the band. Epic Pagan Metal! Here’s the music to prepare you for Ragnarok! Music from the beginning of the history of Graveland, when it was recorded in a full line-up! A sword, arrow and spear held in a strong hand, hardened in sweat, blood and battle. “Hour of Ragnarok” was forged by a three-person line-up.

Black Metal

Sharing elements with early-90’s Bathory, “Immortal Pride” pushes the symphonic dimensions to the next level: in short, this album is more than just a missing link connecting two periods of Graveland’s career, it is where those two periods combine, taking the best elements from each to create something truly magical and Graveland’s crowning moment. 2022 Drakkar productions release

Black Metal

Recorded in Tuba Studio, December 1994.

Remastering at Eastclan Forge 2001.

Includes new liner notes by Rob Darken.

Black Metal

GRAVELAND’s brand new reedition of “Wotan Mit Mir”, by Drakkar Productions! GRAVELAND heralds the glory of long forgotten days in their unique style: Enjoy the dragging rhythms, endless guitar lines, heroic vocals and keyboards, and most of all the unique atmosphere this opus serves. 2022 Drakkar Productions release

Black Metal

Reprint of the 1994 full-length on CD.

Black Metal

‘Devant la porte des étoiles’ is a portal, cast from the ancient stones of primordial rites and cosmic despair. This GRAVENOIRE debut, forged in the live crucible of rehearsal chambers untainted by modernity’s corroding touch, channels the unsanctioned, unbridled energies of realms both spectral and telluric.

Black Metal

It was but 2020 when GRIEVE emerged from the darkness with their self-titled debut EP. Although otherwise meant to exist strictly in that darkness, it was soon discerned that the band included veritable Finnish black metal royalty within its ranks. Nevertheless, the swiftly uncompromising nature of Grieve was felt: Northern Black Metal Exclusively From the 1990s. No more, no less, no progression, no fun.

The same banner is upheld on Funeral, GRIEVE’s highly anticipated debut album. Aptly titled, Funeral is also the band’s final recording, and a more fitting epitaph one will not find. Recorded in Hell during the diabolical summer of 2021, GRIEVE’s first full-length is a fiercely focused one, solely featuring funereal marches by V-Khaoz and last rites by Werwolf. Beyond cold, utterly grim, violent and restrained simultaneously, Funeral is a record out of time, one where the last couple decades of “black metal” never existed. In fact, it’s not inaccurate to say that GRIEVE’s final strike could’ve been released by Malicious Records back in the mid ’90s, so authentic and impassioned is this vintage obsidian. Suitably for the occasion, mastering was done at Trollhouse Audio, giving Funeral that extra gleam of deathly pallor.

From here on, GRIEVE does not exist anymore. Gather for their Funeral, or just walk on by.

Black Metal

It was but 2020 when GRIEVE emerged from the darkness with their self-titled debut EP. Although otherwise meant to exist strictly in that darkness, it was soon discerned that the band included veritable Finnish black metal royalty within its ranks. Nevertheless, the swiftly uncompromising nature of Grieve was felt: Northern Black Metal Exclusively From the 1990s. No more, no less, no progression, no fun.

And then, at the dawn of 2020 came GRIEVE’s first – and, at the time, final – album. Aptly titled Funeral, the record was a fiercely focused one, solely featuring funereal marches by V-Khaoz and last rites by Werwolf. Beyond cold, utterly grim, violent and restrained simultaneously, Funeral was a record out of time, one where the last couple decades of “black metal” never existed. And then GRIEVE ceased to exist.

But, obeying only nature and will, GRIEVE have arisen from their own self-imposed grave with the second full-length Wolves of the Northern Moon. “We said we’d end the project for good, but we lied,” state the band about that grave. “We exhumed it.” Indeed, the exhumation also includes a nastiness last found on such Nordic classics as Kronet til konge, Pentagram, Til evighet…, or even Black Thrash Attack. Essentially, then, GRIEVE’s ethics have not changed (nor should they have to), but one can nonetheless find here a pronounced asskicking sensibility that adds further antagonization to trendy ears as well as a noble march to mystical victories. “Eternal Winter, Eternal War”: These Wolves of the Northern Moon are on the hunt – and you’re next!

Black Metal

This GOD-tier split brings forth some of the best material both bands have produced so far, creating an atmosphere of mystery and tension, ranging from death rock to black metal. Inspired by Stanley Kubrick’s masked masterpiece ‘Eyes Wide Shut’, this collaborative effort goes beyond a regular split of two bands as in some parts of these recordings, the band members appear doing guest vocals in each other’s tracks.

Power Electronics

The 2015 full-length available again on CD.

Power Electronics

Split CD between these two acts.