Black Metal

Cult Black Metal from Mexico, orginally released in 1996.

Taking the original art of their 1st full length album that was realized on CD edition by Storm production and Brujo Recs in 1996 (Mèxico City), now on vinyl 12″ for the first time after 24 long years, with a spectacular production in gold and black vinyl contains 6 songs and an EP 7″ with 2 bonus tracks in live “Screams of Darkness” and “Avzhia”.

Black Metal

Blood Fire Death is the fourth album by the Swedish band Bathory. It continued the band’s transition towards more epic songwriting, and includes some of the first Viking metal recordings, although is still mostly black metal. Bathory was formed in Stockholm in 1983. Founder Quorthon, a seventeen-year-old guitarist, was joined by bassist Hanoi and drummer Vans. After various name changes (beginning with Nosferatu, then Natas, Mephisto, Elizabeth Bathory and Countess Bathory) they finally settled on Bathory. Their first recording deal came that same year, when Quorthon managed to secure the consent of Tyfon Grammofon’s boss to record two tracks for the compilation Scandinavian Metal Attack. The tracks which he recorded gained unexpected attention by fans.[citation needed] Soon afterward, Tyfon Grammofon contacted Quorthon and asked him to record a full-length album. Although Venom’s Black Metal, released in 1982, was the first record to coin the term, it was Bathory’s early albums, featuring Satanic lyrics, low-fi production and an inhuman vocal style, that defined the genre. Many fans have speculated Venom was an influence on Bathory; however, Quorthon has said in an interview with Kick Ass magazine in 1985 he only heard of Venom after the first Bathory album was released. He also expressed dislike for many influential and popular heavy metal bands at the time, such as Iron Maiden and Judas Priest. He has also stated the band’s early work was influenced primarily by Black Sabbath, Motorhead, and punk rock. Bathory’s self-titled debut album, and the subsequent releases The Return and Under the Sign of the Black Mark, are now regarded as major influences on the Norwegian bands which extended black metal’s musical progression and popularity in the beginning of the 1990s.

Reissue 2023 from Black Mark.

Majestic Black Metal

Finally available for the first time on LP, originally recorded in 1999.

With a fully restored layout, including handwritten lyrics and totally re-mastered for LP.

Officially released by Ragnarok Records, and distributed worldwide by ASRAR.

SALVIA GREEN LP, Lim. 88 copies

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with SALVIA GREEN FLOOD, SALVIA GREEN PANTONE and UV SPOT.
Includes a professionally printed thick INSERT.

Black Metal

The first full-length album of Cosmic Church available again on quality LP.

Black Metal

Alongside contemporaries Dissection and Marduk, DARK FUNERAL are among the most important Swedish black metal bands ever. In fact, when one merely mentions the phrase “Swedish black metal,” thoughts immediately turn to their name: since their formation in 1993, DARK FUNERAL quickly came to define the shocking sound of cryogenic melody and cruelly blasting fury. Though their six albums to date have been patiently parceled out over a considerable amount of time, their works endure to this day and have influenced countless bands over the past 20 years.

Originally released in early 1996 on the pivotal No Fashion label, DARK FUNERAL’s debut album,The Secrets of the Black Arts, was an incredibly powerful first full-length statement. From its iconic cover art on down to the sharp, powerful production by Peter Tägtren at Abyss Studios, it could be easily argued thatThe Secrets of the Black Arts was THE defining record of ’96, when black metal was climbing out of its sensational days and etching a new language into the wider metal landscape. DARK FUNERAL were there, armed with an arsenal that was shockingly fast yet still exceptionally memorable. Even with all that blastbeaten aggression, there still existed a wealth of atmosphere to the album, proving that the band were no one-trick ponies.

Black Metal

The cult EP from 1992 available again on LP.

Black Metal

Both triumphant and melancholic, violent and resigned, hysteric and finessed, Queen of Frost brazenly displayed the full swathe of FUNERAL FROST’s considerable arsenal. With a raw-yet-robust soundfield neither dampening nor exaggerating any of their dynamics, here did the Swedish trio spelunk in dungeons and raze battlefields alike, their screaming-into-the-nightsky sound surprisingly medieval and moody. Likewise, compared to so many of their blastbeating-all-the-time contemporaries, FUNERAL FROST shifted speeds often and never lingered too long in one, with the drums in particular ringing with authentically analog clarity. Add to this a subtle daubing of synths and Queen of Frost stands as a crucial tome for those into classic Arckanum, Kvist, Sorhin, and Norway’s Perished.

All the material they have recorded is now published in quality gatefold DLP.

Black Metal

GNIPAHÅLAN is one of the main projects of Swartadauþuz – lynchpin of Ancient Records and also in such esteemed cults as GREVE, BEKËTH NEXËHMÜ, Trolldom, Musmahhu, Azelisassath, Digerdöden, Mystik, Summum, and Daudadagr among many others – handling all voices, strings, and synths and various session drummers. As GNIPAHÅLAN, modernity is choked dead in favor of staunch ‘n’ strict mid-’90s classicism, specifically the retroactively-applied “second wave” of black metal across Scandinavia. With half a dozen demos, a couple splits, an EP, and a debut album from 2016, Swartadauþuz and cohorts have pursued a breathtaking vision of boundless traditionalism draped in hues of purple (and purple-blue).