Indecent Exposure (UK) – Reveal All ! LP
€26.88
RAC/OI!
Their first, long-awaited album “Reveal All!” was only released in 1985, after the band had released a double A-side single called “Riots/A Matter of Time” on their own label “IndEx Records” at the end of 1983. “Reveal All!” is classic Oi! Music in its rawest form with titles like “A Way of Life” and “Bank Holiday” to harder songs like “I won’t let my Country die” and “Save the Nation”. In 1985/86 the local Oi! Scene has probably reached its lowest point. At a gig in Tufnell Park, North London, singer Steve Reeve got into an argument with hardliners in attendance. One of these idiots threw a bottle while Indecent Exposure were playing their set, Steve’s head was hit and slashed. In Hardcore Oi! Indecent Exposure finished their concert in a similar manner and then jumped into the crowd to find the bottle thrower. But in true low-life fashion, the culprit had crawled back into the hole he came from. Later that night, Steve was taken to the hospital where he received twelve stitches in his head.
| Weight | 0.5 kg |
|---|
Brand
Rock-O-Rama
Related Products
Black Metal
The new full-length available again on LP.
Triumphant Black Metal.
In stock
Black Metal
Re-issue of the groundbreaking debut album
With their groundbreaking debut album, Bethlehem gave name to an entire genre: “Dark Metal”.
Gatefold LP (black vinyl) incl. padded inner sleeve and protection sleeve
In stock
Black Metal
One of the most accomplished newcomers Signal Rex has come across in recent years, the shadowy entity of Valais burst from the voidal womb fully formed in the middle of 2021 with their self-titled debut album. Despite existing in the vast (and vastly inconsistent) wilderness of Bandcamp, Valais in fact imparted a power and poignancy that takes most bands at least a couple records to reach, if at all. Both classically composed and forward-thinking, Valais understood right from the start the core tenets of true black metal, but equally understood how to inject their own personality and poise into such to create something that adds to the language of BLACK METAL rather than mimics its speech patterns (and sloppily so).
No, Valais as a work is a towering monument of tension and release, skillful contours and subtle dynamics, richly malevolent melody and slipstreaming violence. Aesthetic touchstones include the likes of Slidhr, latter-day Leviathan, and even Blut Aus Nord at their wiliest, but Valais also exhibit an understated sense of the pagan – perhaps stemming from their native Ireland, or perhaps from some strange cosmos far beyond our comprehension… Either way, all of this coalesces into a whilrlwinding five-song/37-minute experience that feels far vaster than that succinct runtime otherwise suggests. As such, Signal Rex is honored to rightfully release this tome in all physical formats.
In stock
Black Metal
RUTTOKOSMOS are one of the great “what if?”s of Finnish black metal. The band formed sometime in 2003 and released the five-song Ja minä näin kuoleman demo in 2006 and then the six-song Kärsimys demo a year later. Afterward, nothing was heard from RUTTOKOSMOS ever again. Only one member concurrently played in Divina Inferis, and the other two members either disappeared and played pseudonymously in other bands.
In stock
Black Metal
Two great bands together in a covenant of Black Metal, each one parading its unique approach and both building a strong split, a brilliant release.
In stock
Black Metal
Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!
In stock
Black Metal
The 2018 full-length available on LP
Exclusive import from Livor Mortis (Finland).
In stock
In stock
Black Metal
Producto de conspiración con el nuevo sello chileno Templo del Sol Muerto, traemos ante ustedes el trabajo debut de este joven proyecto del sur de Chile.
Caracterizado por ejecutar un Black Metal con sonido un tanto diferente a lo acostumbrado por estos lados del orbe: ritmos a medio tiempo, voces desgarradas, atmósfera medieval, cruda y melancólica, Kerasfóra nace desde los místicos vientos del sur para entregarnos cuatro tracks llenos de solemne oscuridad.
Dejamos el track promocional ‘Night’s Symbol’, para que se sumergan bajo el manto de la noche y esperen la llegada a este plano de esta nueva banda que de seguro nos seguirá hipnotizando.
In stock
Black Metal
Originally released as cassette by Mahamvantara Arts Records earlier this year, RÜNDGARD’s first public recording is one literally out of time. Mainman Lord Valtgryftåk is a prolific veteran of Chile’s increasingly potent black metal underground, concurrently handling the likes of Pyreficativm, 13th Temple, Gryftigæn, and Winterstorm among others. And while a number of those bands and satellite entities belonging to the Pure Raw Underground Black Metal Plague are indeed the rawest of the raw, with RÜNDGARD does he delve into ancient times, medieval majesty, and grim splendor somewhere between the earliest Nordic works and contemporaneous Polish ones.
Recorded during two periods over the course of MMXX/MMXXI and now featuring a mix & master by Rudrah Studios, Stronghold of Majestic Ruins suitably evokes its namesake both sonically and thematically. Empirically, the recording evokes the ancient passages and memories of a distant land submerged in mist and an interesting story behind ruins. As Lord Valtgryftåk explains, “Originally, this entity is directly related to those archaic dimensional Valdivian forces that still inhabit our realms, those forces from the past written in blood and guarded by solemn towers and fortresses that still remain alive.” And truly, that past comes alive across the album’s succinct-yet-expansive 25-minute runtime, maintaining a faithful respect for the old traditions and the sound of glorious times with an interesting melodic register at the same time very organic. No record-collector-nerd “raw black metal” here: only authentic ancient vintage!
For those nostalgic for forgotten realms and archaic ages, RÜNDGARD returns from a deep slumber with the fortifying Stronghold of Majestic Ruins!
In stock
Black Metal
Alias for Finnish black metal band Beherit.
The 1991 EP available again on LP.
In stock
Black Metal
By now, BLACK CILICE require no introduction. Arguably THE most pivotal raw black metal entity of the last decade, this Portuguese enigma has come to both define and defy that idiom. Unmindful of the present, not looking to the future, and undoubtedly rooted in the past, BLACK CILICE simply IS, and its vast body of work speaks for itself: challenging, for sure, but transportative and transcendental beyond compare.
And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.
In stock