Dross Delnoch (UKR) ‎– In the Vortex of Centuries LP

Black Metal

Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!

Black Metal

By now, BLACK CILICE require no introduction. Arguably THE most pivotal raw black metal entity of the last decade, this Portuguese enigma has come to both define and defy that idiom. Unmindful of the present, not looking to the future, and undoubtedly rooted in the past, BLACK CILICE simply IS, and its vast body of work speaks for itself: challenging, for sure, but transportative and transcendental beyond compare.

And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.

Neofolk

Debut album of this Neofolk solo project.

Black Metal

And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.

Black Metal

Two great bands together in a covenant of Black Metal, each one parading its unique approach and both building a strong split, a brilliant release.

Black Metal

Burier IV – Wielding Malignity – an auditory altar, forged to conjure a series of surreal, blood drenched nightmares, permeated by abstract and otherworldly expressions of rage, pain, and horror.

Originally planned in concept as 7″ format, the material overflowed and the result is a 12 track 40min full length release.

Recorded at the end of the Australian summer MMXX, Burier IV is comprised of tracks that are short in length and aggressive in nature, bursting forth with a sharpened edge.

Burier IV could be considered a conceptual anomaly, yet is undeniably congruous with the Burier catalog of recordings so far, employing similar palettes of darkly coloured, complex instrumentation and tortured, shrieking vocals, dynamically pulsating, here wielded with a heightened sense of ferocity.

Exclusive import from Goatowarex (CHINA).