Black Metal

Grim Nihlistic Black Metal; This is a cold as death, Black Metal masterpiece.

Featuing members of HORNA & BEHEXEN, this is the Finnish BM supergroup.

Black Metal

Track 1 taken from split 7″ EP with Merrimack on Moribund Cult
Track 2 taken from compilation CD “Jatkosota” on Woodcut Records
Track 3 taken from compilation tape “..and Jesus Wept” on Black Arts Productions
Track 4 taken from split 7″ EP with Temple Of Baal on Grievantee Productions
Track 5 is a bonus track from “Satanic Black Devotion” LP on World Terror Committee
Track 6 taken from compilation LP “Tormenting Legends” on Blut & Eisen Productions
Track 7 taken from compilation LP “Finnish-German Alliance” on World Terror Committee
Track 8 is a bonus track from “Disciple Of The Heinous Path” LP on World Terror Committee
Track 9 taken from split 7″ EP with Bahimiron on Obscure Abhorrence Productions
Track 10 taken from split 7″ EP with Drowning The Light on Moribund Cult
Tracks 11 & 12 taken from the “Dark Embrace” 7″ EP on Moribund Cult
Tracks 13 & 14 taken from the “Lair of Necromancy” 7″ EP on Hospital Records

Black Metal

The full-length from 2018 available on CD

Black Metal

And so the battle continues with Aamongandr, SATANIC WARMASTER’s first studio full-length since 2014’s acclaimed Fimbulwinter. Indeed, where that album evinced a diversity of songcraft and, more so, a concertedly polished aspect that majestically made that obsidian gleam, Aamongandr explores that duality with equally compelling results. In fact, with the album wasting no time in kicking into high gear, SATANIC WARMASTER sounds more urgent than ever – and yet, here is where the band’s epic side is also revealed in full. Cryogenic and caressing is its melodicism, in the glare of burning churches, and deftly dusted with subtle synths that heighten the mysticism at the heart of the SW sound, Aamongandr’s six songs charge forth with the grim grandiosity of mighty steeds; not for nothing is one of the album’s highlights titled “Duke’s Ride (Ride of the Spectral Hooves).” All told, this sixth long-form statement of intent is immediately recognizable as SATANIC WARMASTER but irrevocably proves that its creator’s imagination continues to flow as infinitely as the Atlantean depths.

Black Metal

SATANIC WARMASTER needs no introduction nor explanation, and nor should the modern classic that is Carelian Satanist Madness. Originally released in the dark days of 2005, this album emerged during the peak of Finland’s black metal underground, and mainman Werwolf – here recording everything, save session drums – led the way for all others well into the next decade. All the triumph and tragedy, mysticism and madness, literally EVERYTHING that is sacred and pure in authentic and dedicated BLACK METAL is here distilled to its proudest and most poignant essence. To deny this is to deny black metal itself.

Black Metal

3 tracks CD single for total running time of about 15min taken from the upcoming Satanic Warmaster album!

Black Metal

For the past 24 years, SATANIC WARMASTER has remained a highly revered name in the black metal underground: seemingly doing no wrong with converts, but forever riling detractors. Helmed by the tyrant Werwolf – whose involved in the black metal scene stretches back 20-some years, as the original vocalist of Horna – SATANIC WARMASTER have released classic album after classic album, from early essentials like Strength and Honour and Opferblut to relatively more recent monuments like Carelian Satanist Madness and Nachzehrer, and always at their own pace.

Black Metal

Originally released in 2003, Opferblut consolidated the massive momentum garnered by SATANIC WARMASTER’s influential debut album, 2001’s Strength & Honour, and truly cemented Finnish black metal as a reigning force in the underground for the still-new millennium. Cold and caustic but suffused with a burning passion that has marked the band from the beginning, Opferblut is pure, traditional BLACK METAL done the ancient way – in the glare of burning churches, when madness & mysticism still cloaked the scene.

Black Metal

2022 repress on digipack CD, includes the Blutrache demo ‘Marsch zu neuen Zeitaltern’.

Recorded in the hateful winter of 2000-2001 anno satanas.

Black Metal

When Satyricon released their third album in 1996, their status as one of the most significant and creatively vital bands in Norwegian black metal was already beyond dispute, but Nemesis Divina was no ordinary record or just another step along the road to infamy. From its uniquely vibrant and impactful artwork, which broke every supposed rule in the black metal handbook with its vivid colours and refined aesthetic core, to the supremely confident and idiosyncratic songs and individual performances that heralded a newfound sophistication and a freshly incisive vision, Nemesis Divina almost single-handedly took black metal from its voluntarily shadowy and obscure origins into the glaring spotlight of the international metal scene. It showcased a band that finally had the skill and the musical intuition to back up the undeniable potency of their artistic vision. Sonically devastating and compositionally meticulous, songs like ‘Mother North‘ and ‘The Dawn Of A New Age‘ redefined what black metal was capable of, while proudly retaining the genre’s ageless essence and aesthetic values.

Black Metal

With Frost’s drumming a key component from the start, the Satyricon unveiled on The Shadowthrone is far closer to the unstoppable, obsidian juggernaut we know and hail today than anything heard on the seminal but occasionally guileless Dark Medieval Times. Informed by the tonality and textures of Norwegian folk music tradition but fuelled by Satyr’s unique vision of black metal, the propulsive, muscular forward grind of grandiose sprawls like In The Mist By The Hills threw down a formidable template, upon which Satyricon have continued to build for more than a quarter of a century.

Gatefold cover, printed inner sleeves