Power Electronics

The sadistic industrial spurts of Atrax Morgue, are secretions of body fluids converted into noise stinging and nauseous and his work is an unhealthy, stinking container, with most depraved delusions that the human brain can give birth. The fourteen splinters of Esthetik Of A Corpse were recorded in spring 1995 and released on tape by Slaughter Productions. A quick overview of the 50 minute tape: harsh electronics, sounds from obsessions and visions, death as sex, madness, pleasure, orgasm, cadavers and plastic bags. Of course, the canvass is freshly skinned off the body of one of the victims, and Marco makes much use of the entrails in his creation …

Power Electronics

Exterminate, the most impressive and sinister album by Morgue first way – it is just the thirteenth work in his name, during his first three years of artistic production, returns to torture the eardrums and brains of who comes across with his industrial, claustrophobic and distressing nightmares at least as much as the “annual reports” signed by the loving Throbbing Gristle. It was recorded straight off on a hot July night in 1995. The cassette released the same year by Slaughter Productions contains three tracks based on typical analog drones. A three-phase escalation of alienating noisey madness, made of battered analog synthesizers and occasional incursions of revolting and decaying screams, which in no way allows you to see even the lightest light, in total surrounding darkness.

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With these vinyl reissues, Urashima has really outdone themselves again! Yet another two in the long line of the important historical / archival work on Atrax Morgue’s catalogue being done by the label which continues the precious restoration and mastering work from the original master tapes with the full authorization and collaboration of the Corbelli family.
“So, obsessions have found a way to come out. Through violent and cold analogue electronic sounds, and my own voice.”
Marco Corbelli

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Killer full-length of true P.E.

Limited to 99 copies. Pressed on 140g black vinyl with plain black center labels. Housed in a plastic-lined black inner sleeve and a black cardstock sleeve with silver silkscreened cover art. Includes an insert printed on 160g ivory paper.

Industrial

Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. In April 2018 he decided to make a shudder debut with 1st album Symphony For The Black Murder then followed at the beginning of 2019 from 2nd work in an astonishing black wooden box that included Journey Through A Dead Body on vinyl and Deathwish Tapes 1-3 on cd and double tape. Now we’re thrilled to see yet another mind-boggling work on double LP recorded during this year, Ritualistic Mutilation in the Bloody Darkness. Wild and amazing, this one is absolutely essential for any fan of synth and dark ambient music. Cracked minimal electronic sound by Korg MS-20, unclear and disturbing voice with the influence of primitive black metal and dark ritual in this new double album which developed a moisturized doom world while wearing a raw material texture. While listening to the records, each long track does meander their way slowly through proceedings with silent pauses, but they nonetheless generate a respectably dense assemblage of sounds. The smell of death is soaked in every groove produced by the four vinyl sides. The activities of Controlled Death are like archaic revival to the music experience before Masonna. We can also find the pathology image of the early industrial period and the shadows of Vienna activism such as Hermann Nitsch as well as loose bits of seminal black metal.

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Recorded in August 1995.

Originally released on Slaughter Productions tape – SPT55.

Noise

Almost thirty years have passed since the first publication of Quietus. Is the fourth Incapacitants album released on Alchemy Records and along Feedback Of N.M.S. has definitively consecrates them as the Gods of Noise.

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Original tape recorded during 1982/83.

Deluxe silver silkscreen on black cardboard sleeve. Black inner sleeve. Limited to 199.

Industrial

Urashima’s vinyl reissue captures the essence of “Near Death” in its purest form. The tactile experience of placing the needle on the vinyl and allowing the album to unfold as intended by the artists adds a new dimension to the sonic journey. The haunting melodies and unsettling textures resonate even more powerfully, making this reissue not just a reproduction but a revival of the album’s visceral impact.

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Recorded in August 1996.

Originally released on Slaughter ProductionsSPT085 in 80 hand numbered copies.

Mastered by Nobuki Nishiyama March 2020.

Noise

Formed in 1984, Solmania is a music experimental project of Masahiko ”Masaki” Ohno and is one of the earliest amazing noise projects out of Japan. Pushing far beyond expectations of free improvisation, Masahiko weaves blistering passages that incorporate touchstones from progressive , punk, metal, noise, and drone, into more intricate movements of dystopian avant-gardism, culminating as a strikingly forward-thinking expanse of sonic creativity that pushing toward uncharted ground.
Erosion captures an astounding concert at Eggplant, in Osaka May 15th 1987, recorded at the venue, using guitar, tape, radio, metal, turntable and voice and published on cassette by Solmania own legendary label Fatagaga Tapes the same year in very limited edition. Fully remastered from the original analog tapes, vinyl is comprising a single, extended work over two sides, for about 30 minutes where the artist dives into one of the most joyous and tense musical expressions to have emerged during that decade, generating dense, trance-inducing guitar drones that seem to touch the eternal, washing the ear in rich overtones and harmonics embellishments that transcend their sources – the original instrument – in uncanny ways.

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Sound material digitally emitted / created, analogically recorded / mixed and digitally mastered / enhanced in April 1995

Originally released on Slaughter Productions tape – SPT41