Drowning The Light (AUS) – A World Long Dead LP

Black Metal

From the cold northern terrain of Canada arises a new presence in the underground black metal sphere. TREMBLING VOID skulks into the recently flourishing landscape of one man black metal recording acts and announces his menacing existence like a broken buzz saw. It’s hard to ignore this dark entity.

Black Metal

Housed in folded cover with UV lacquer finish logo and tracklist print.

Azhubham Haani’s second demo from 1992.

Black Metal

UK Black Metal act GLEMT brings forth their debut long play record entitled “Eclipsing Through The Womb Of Twilight And Dementia”. This album falls nothing short of pure audible chaos and insanity forcing the listener to become engulfed in the pure darkness of the void so they become an active participant in the rituals manifested through Glemt. Therefore this is more of a pact between the void and the forbidden, leaving no room for light or hope for all life.

This album was manifested through the will of tormented spirits that made themselves know through Magick and communication with the deceased. This, therefore, opens forth the Left-Hand Path and the bleak passageway into the utter blackness of deaths abyss past the point of no return, so that all forbidden truths are relieved.

Black Metal

Emerging from the void of black devotion, Vampirska, The U.S.-based Raw Black Metal entity offers two of it’s most decrepit hymns yet. Walls of overwhelming chaos and depravity with the essence of mysterious and punishing raw black metal that emits an enchanting hypnoticism. The bombardment of devastation is met with another familiar entity of the grotesque and disgusting chambers; Wampyric Rites, the Ecuadorian spectre of the Black Metal Plague Circle. A two-part deliverance of malevolance and agony that call forth an intense massacre of total hatred and suffering. The conspiracy of these two entities brings four summonings to be unleashed onto the hordes.

Black Metal

After 2019’s well-received Endless Trails demo via SIGNAL REX, HOLLOW WOODS strike with a full-length debut fittingly titled Cold Winds Cleave the Earth. While hailing from Finland, this mysterious entity largely eschew their homeland’s reigning black metal idiom, instead taking influence from Ukraine (Roman Saenko’s projects), Norway (early Ulver, equally early Gorgoroth), and especially Russia (the Blazebirth Hall collective). In other words, pure & proud BLACK METAL, nevertheless done with personality and charisma.

Black Metal

By now, IRAE should require little introduction. Since the dawn of this cursed millennium, mainman Vulturius has prolifically pursued a singular vision of RAW BLACK METAL that includes four full-lengths and countless split releases with likeminded comrades. As such, IRAE have almost singlehandedly invigorated Portugal’s black metal scene, particularly the rawer iteration of it, and more recently find themselves aligned with the elite Black Circle, alongside MONS VENERIS, VETALA, Decrepitude, and Rainha Cólera. Fans since the beginning, SIGNAL REX are honored to be aligned with Vulturius for IRAE’s long-awaited fifth album.