Black Metal

CANDELABRUM hail from Portugal, renown in the past decade for its polarizing raw black metal scene. The nameless mainman behind the band has been involved within that scene for many years, and even before his native scene found worldwide recognition. And even within that scene/idiom, CANDELABRUM stands alone, enigmatic and electric: his works are slavishly reverential of ancient black metal whilst simultaneously unorthodox. The band’s two albums to date, 2016’s Necrotelepathy and 2018’s Portals, are equally astounding modern classics which emit a strangely shimmering quality amongst an explosion of emotive rawness. Both albums are immersive and mesmerizing experiences unto themselves.

Wisely prizing quality over quantity, CANDELABRUM only emerge from the shadows when a new experience is fully formed and ready to curse/haunt/liberate the listener: at long last, Nocturnal Trance. Truly titled, this third album is a strident synthesis of its monolithic predecessors as well as form meeting content. Conceptually, Nocturnal Trance deals with the same theme of Necrotelepathy and Portals: death and the passage to a different plane, beyond. On those previous CANDELABRUM records, the figure on the front cover is always “moving” – crossing the passage, as it were – but this time, the mainman chose to clearly portray the passage from absolute darkness to an ominous monochromaticism: both a blinding light and a complete lack of it, going beyond darkness and back around to an absence of literally everything.

Black Metal

CANDELABRUM hail from Portugal, renown in the past decade for its polarizing raw black metal scene. The nameless mainman behind the band has been involved within that scene for many years, and even before his native scene found worldwide recognition. And even within that scene/idiom, CANDELABRUM stands alone, enigmatic and electric: his works are slavishly reverential of ancient black metal whilst simultaneously unorthodox. The band’s two albums to date, 2016’s Necrotelepathy and 2018’s Portals, are equally astounding modern classics which emit a strangely shimmering quality amongst an explosion of emotive rawness. Both albums are immersive and mesmerizing experiences unto themselves.

Wisely prizing quality over quantity, CANDELABRUM only emerge from the shadows when a new experience is fully formed and ready to curse/haunt/liberate the listener: at long last, Nocturnal Trance. Truly titled, this third album is a strident synthesis of its monolithic predecessors as well as form meeting content. Conceptually, Nocturnal Trance deals with the same theme of Necrotelepathy and Portals: death and the passage to a different plane, beyond. On those previous CANDELABRUM records, the figure on the front cover is always “moving” – crossing the passage, as it were – but this time, the mainman chose to clearly portray the passage from absolute darkness to an ominous monochromaticism: both a blinding light and a complete lack of it, going beyond darkness and back around to an absence of literally everything.

Black Metal

2020 repress on red vinyl, comes with an insert and A2 poster.

Black Metal

Four new tracks of pure black metal drag the listeners to the most sinister graves of early 90’s black metal, heralding the invocation of a most ominous spell. From the opening sounds of “Sectes”, it is clear that Cantique Lépreux is a band with intense focus, immediately grabbing listeners’ attention with their utterly putrid sound.

Black Metal

Reissued several times by various labels, it is back on the market with the classic old artwork.

Tracks 12-13 recorded live on 30/01/2005 in “Rock for Fatherland” festival, Athens.

Black Metal

Reissued several times by various labels, it is back on the market with the classic old artwork.

Tracks 12-13 recorded live on 30/01/2005 in “Rock for Fatherland” festival, Athens.

Black Metal

Special reissue of the cult classic debut EP from Celestia. Released by Drakkar Productions in 1999.

One studio bonus track from the original recording session.

Black Metal

A unique vision of mid-paced Black Metal through a cleaner but dense production that wholly enriched the cold riffs and morbid melodies, and while the cruelty and spite of the group’s past remained, it gave way to a more atmospheric and mournful aura. “Delhÿs-Cätess” is utterly evocative, immersive in its capacity of portraying images of haunting chambers and poignant landscapes, as memorable for its lyricism as for its musical vision.

Black Metal

“Forever Gone” emerges as an invocation, a final breath drawn from beyond the veil. Each track lingers like mist over forgotten graves, steeped in longing, rich in desolation. Every note drips with the weight of absence, as if composed in the hush that follows a final farewell. In this album, the spectre of Celestia is not laid to rest; it is transfigured, echoing into the silence that follows all things.

Black Metal

The new album from this Raw Black Metal.

Limited to 150 copies.

Black Metal

Textes librement inspirés d’écrits d’Aloysius Bertrand, Stéphane Mallarmé et Henri Michaux.

Black Metal

This is where it all began for the French duo CÉNOTAPHE.

Four tracks of Black Metal splendor and misery.