| Weight | 0.5 kg |
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By now, BLACK CILICE require no introduction. Arguably THE most pivotal raw black metal entity of the last decade, this Portuguese enigma has come to both define and defy that idiom. Unmindful of the present, not looking to the future, and undoubtedly rooted in the past, BLACK CILICE simply IS, and its vast body of work speaks for itself: challenging, for sure, but transportative and transcendental beyond compare.
And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.
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The awaited return of the United States Raw Black Metal entity VAMPIRSKA is spearheaded by the unveiling of “Torturous Omens of Blood and Candlewax” re-issued for the first time by INFERNA PROFUNDUS RECORDS.
“Torturous Omens of Blood and Candlewax” is the debut LP of Raw Black Metal entity VAMPIRSKA, who has established itself as a titan among the scene of this Lo-Fi and enchanting style of black metal. Originally released in Autumn 2020, “Torturous Omens of Blood and Candlewax” pushed VAMPIRSKA into the eyes of many after a large release on CS, CD and LP format. Six tracks with a consistent blend of furious, depressive, and elegant melodies carried into existence with punishing drumming.
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The 2011 full-length available again on LP.
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WHITE LP, Lim. 88
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The first full-length black metal onslaught of Chilean Black Metal project Aarkanne, Mysterii, which followed the release of the debut Aarkanne demo entitled ‘De Profundis’ which was unveiled in November, 2020. Mysterii is a testament to the agonizing punishment of raw black metal with deathlike structures that enforce a flurry of distorted chaos. Six tracks of this thunderous South-American raw black metal carnage that are consistently punishing, Aarkanne delivers these strong waves of melodic plague in this LP. Pure hatred and disgust captured into six tracks of destructive raw black metal that stands for ultimate torment to the depraved.
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And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.
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The classic Norwegian black/viking metal material re-issued.
The 1994 Aurora Borealis demo and the 1995 Leve Vikingånden 7″ep presented as one album on jewel case cd and various limited vinyls.
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Limited to an undisclosed number of copies.
Includes a professionally printed, die-cut, coffin-shaped, double-sided insert.
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Old black metal darkness.
The complete early works; the 1992 demo, 1993 demo, 1994 7″ep and 1994 pre-prod. All the recordings are the raw versions from the demos, with no re-mastering or editing done. We chose to keep the recordings in their pure form, to keep the old raw feeling they had back in the days. These recordings were the very roots of Ancient, what got them noticed in the underground scene worldwide back in 1993/ 1994. Includes early images and liner notes by Aphazel & Grimm.
Available as cd digipack + booklet and on various limited gatefold double vinyls including 2 double sided inner sleeves.
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Burier IV – Wielding Malignity – an auditory altar, forged to conjure a series of surreal, blood drenched nightmares, permeated by abstract and otherworldly expressions of rage, pain, and horror.
Originally planned in concept as 7″ format, the material overflowed and the result is a 12 track 40min full length release.
Recorded at the end of the Australian summer MMXX, Burier IV is comprised of tracks that are short in length and aggressive in nature, bursting forth with a sharpened edge.
Burier IV could be considered a conceptual anomaly, yet is undeniably congruous with the Burier catalog of recordings so far, employing similar palettes of darkly coloured, complex instrumentation and tortured, shrieking vocals, dynamically pulsating, here wielded with a heightened sense of ferocity.
Exclusive import from Goatowarex (CHINA).
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Originally released as cassette by Mahamvantara Arts Records earlier this year, RÜNDGARD’s first public recording is one literally out of time. Mainman Lord Valtgryftåk is a prolific veteran of Chile’s increasingly potent black metal underground, concurrently handling the likes of Pyreficativm, 13th Temple, Gryftigæn, and Winterstorm among others. And while a number of those bands and satellite entities belonging to the Pure Raw Underground Black Metal Plague are indeed the rawest of the raw, with RÜNDGARD does he delve into ancient times, medieval majesty, and grim splendor somewhere between the earliest Nordic works and contemporaneous Polish ones.
Recorded during two periods over the course of MMXX/MMXXI and now featuring a mix & master by Rudrah Studios, Stronghold of Majestic Ruins suitably evokes its namesake both sonically and thematically. Empirically, the recording evokes the ancient passages and memories of a distant land submerged in mist and an interesting story behind ruins. As Lord Valtgryftåk explains, “Originally, this entity is directly related to those archaic dimensional Valdivian forces that still inhabit our realms, those forces from the past written in blood and guarded by solemn towers and fortresses that still remain alive.” And truly, that past comes alive across the album’s succinct-yet-expansive 25-minute runtime, maintaining a faithful respect for the old traditions and the sound of glorious times with an interesting melodic register at the same time very organic. No record-collector-nerd “raw black metal” here: only authentic ancient vintage!
For those nostalgic for forgotten realms and archaic ages, RÜNDGARD returns from a deep slumber with the fortifying Stronghold of Majestic Ruins!
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RUTTOKOSMOS are one of the great “what if?”s of Finnish black metal. The band formed sometime in 2003 and released the five-song Ja minä näin kuoleman demo in 2006 and then the six-song Kärsimys demo a year later. Afterward, nothing was heard from RUTTOKOSMOS ever again. Only one member concurrently played in Divina Inferis, and the other two members either disappeared and played pseudonymously in other bands.
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