| Weight | 0.5 kg |
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RUTTOKOSMOS are one of the great “what if?”s of Finnish black metal. The band formed sometime in 2003 and released the five-song Ja minä näin kuoleman demo in 2006 and then the six-song Kärsimys demo a year later. Afterward, nothing was heard from RUTTOKOSMOS ever again. Only one member concurrently played in Divina Inferis, and the other two members either disappeared and played pseudonymously in other bands.
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And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.
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Limited to an undisclosed number of copies.
Includes a professionally printed, die-cut, coffin-shaped, double-sided insert.
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One of the most accomplished newcomers Signal Rex has come across in recent years, the shadowy entity of Valais burst from the voidal womb fully formed in the middle of 2021 with their self-titled debut album. Despite existing in the vast (and vastly inconsistent) wilderness of Bandcamp, Valais in fact imparted a power and poignancy that takes most bands at least a couple records to reach, if at all. Both classically composed and forward-thinking, Valais understood right from the start the core tenets of true black metal, but equally understood how to inject their own personality and poise into such to create something that adds to the language of BLACK METAL rather than mimics its speech patterns (and sloppily so).
No, Valais as a work is a towering monument of tension and release, skillful contours and subtle dynamics, richly malevolent melody and slipstreaming violence. Aesthetic touchstones include the likes of Slidhr, latter-day Leviathan, and even Blut Aus Nord at their wiliest, but Valais also exhibit an understated sense of the pagan – perhaps stemming from their native Ireland, or perhaps from some strange cosmos far beyond our comprehension… Either way, all of this coalesces into a whilrlwinding five-song/37-minute experience that feels far vaster than that succinct runtime otherwise suggests. As such, Signal Rex is honored to rightfully release this tome in all physical formats.
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And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.
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By now, BLACK CILICE require no introduction. Arguably THE most pivotal raw black metal entity of the last decade, this Portuguese enigma has come to both define and defy that idiom. Unmindful of the present, not looking to the future, and undoubtedly rooted in the past, BLACK CILICE simply IS, and its vast body of work speaks for itself: challenging, for sure, but transportative and transcendental beyond compare.
And so it goes with the band’s sixth full-length, Esoteric Atavism. Ever aptly titled, Esoteric Atavism’s contents embody that title in a most provocative manner. While BLACK CILICE is esoteric in the extreme, more so is the entity atavistic, and indeed are those energies the cornerstone of this record. Characteristically coated in miles of miasmic rawness that’s an instrument unto itself, the lyrics of Esoteric Atavism delve into the OLD – old energies, old spiritually – and the music follows suit by reconstituting elements from elder BLACK CILICE recordings. Always in the red but now deeper into the black, that’s not to say Esoteric Atavism is a deliberate throwback or crass “return to the roots”; rather, the band’s birth pangs are given a deeper wisdom and wider-screened hysteria for the listener to drown himself in…or avoid, revoltingly stratifying as BLACK CILICE’s black metal may be. More pointedly, riffs are more forthright, with experimentation subtler, and songs in kind shorter: the proverbial ouroboros, then, forever feeding on the past.
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The 2018 full-length available on LP
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Sardonischer Untergang im Zeichen irreligiöser Darbietung is Bethlehem’s third album and like its predecessor, “Dictius Te Necare”, an essential work for the Suicidal/Depressive Black Metal genre.
Gatefold LP (black vinyl) incl. padded inner sleeve and protection sleeve
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Old black metal darkness.
The complete early works; the 1992 demo, 1993 demo, 1994 7″ep and 1994 pre-prod. All the recordings are the raw versions from the demos, with no re-mastering or editing done. We chose to keep the recordings in their pure form, to keep the old raw feeling they had back in the days. These recordings were the very roots of Ancient, what got them noticed in the underground scene worldwide back in 1993/ 1994. Includes early images and liner notes by Aphazel & Grimm.
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