Black Metal

From the forbidden depths of vampiric sorcery emerges Black Funeral’s most haunting conjuration, “Empire of Blood” – a spectral tapestry woven from the arcane mysteries of the undead nobility. This otherworldly opus channels the ancient magicks that flow through immortal veins, where centuries-old rituals bind the living to eternal darkness. Black Funeral is one of the originators of “Vampyric Black Metal” from the early to mid 1990’s! Each track unfolds like an incantation from blood-stained grimoires, driven by haunting tremolo melodies that spiral through the shadows like phantoms in midnight procession. The album’s ethereal atmosphere conjures visions of pale aristocrats performing forbidden rites in candlelit chambers, their empire sustained not by conquest but by the dark arts that transcend mortal understanding.

Black Metal

From the frost-shrouded crypts of eternity emerges Black Funeral’s unholy testament, “Vampyr Throne of the Beast” – a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.
Each track unfolds like parchment scrolls inscribed with forbidden knowledge, weaving tremolo-picked melodies that slice through the veil between worlds. The album’s frigid atmosphere conjures images of candlelit chambers where vampiric nobility hold court, their pale forms draped in medieval splendor as they preside over kingdoms of bone and shadow.
Raw, hypnotic passages cascade like winter winds through gothic spires, while ritualistic percussion echoes from stone halls where no mortal foot has tread for centuries. The production’s deliberate coldness preserves the necromantic essence – each note crystallized in ice, each vocal incantation rising from depths where daylight dare not venture.
“Vampyr Throne of the Beast” stands as a grimoire of black metal orthodoxy, summoning the spectral majesty of Europe’s darkest medieval legends. This is music for the witching hour, when the boundary between the living and the eternally damned grows thin, and ancient powers stir in their unhallowed thrones.

NOTE: Pre-order – Sent on 09/26/2025

Black Metal

From the frost-shrouded crypts of eternity emerges Black Funeral’s unholy testament, “Vampyr Throne of the Beast” – a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.

Black / Trash Metal

With its previous releases from the likes of Reencarnación and Nemesis, Nuclear War Now! has demonstrated its affinity to the “Ultra Metal” scene that was endemic to the city of Medellín, Colombia in the late 1980s and early 1990s. This strain of unhinged fury was spawned by the great Parabellum, who is recognized as the first extreme metal band to emerge from Colombia and one of the first from the entire continent of South America. Upon Parabellum’s disbandment in 1986, the similarly-styled Blasfemia was born. Founded by two members of Parabellum, Ramón Restrepo (vocals / bass) and Jhon Jairo Martínez (guitars), Blasfemia sought to outdo the rawness and brutality of its predecessor in a sound that reflected the harsh reality of existence in a place ruled unofficially but unequivocally by the sinister hand of a powerful drug cartel. To execute this vision, the two founding members called upon the services of neighborhood friend and percussionist Luis Fernando Cano. Between 1986 and 1988, Blasfemia performed live a handful of times with bands such as Reencarnación, Nemesis, Astaroth, Profanación, Necromantie, Glöster Gladiattor, Necrofilia, and others. It also recorded several demo tracks and, most notably, a four-song EP entitled “Guerra Total.” The EP was released on 12-inch vinyl format in two separate iterations by two different entities in 1988. The more limited version was apparently pressed on only 100 copies and is identified by its gray center labels, but it was not fully endorsed by all members of the band. The other edition, which features red center labels and a secret needle mark, was pressed on 500 copies. Alternate versions of two previously-recorded tracks were also released on two different compilations in 1988 and 1989 before Blasfemia essentially disappeared until its reemergence in 2011.

Black Metal

The cult album from 1993 availabe again on LP.

Black Metal

The cult album from 1990 availabe again on LP.

Black Metal

1995 debut “Ultima Thulée” initiated BLUT AUS NORD’s bold journey toward transcendence through Black Metal. One of the first albums to emerge from the now-legendary French underground scene, “Ultima Thulée” showcases a cold and primitive yet no less uniquely atmospheric BLUT AUS NORD compared with the twisted, dissonant trailblazer evident on more recent releases.

Black Metal

Raw melodic Black Metal from Norway and USA.

In this second album, Blutumhang features a more straightforward set of songs, but maintaining their majestic and distinctive venomous sound.

Black vinyl, presented with an insert and an A2 poster.

Industrial

Body Sculptures is a contemporary project that brings together five unique voices in European experimental electronic music today. The formative element is the collaborative pact between Sweden’s Northern Electronics and Denmark’s Posh Isolation.

Last year marked both Body Sculptures’ debut live performance —a highly notorious set at Berlin Atonal Festival 2015— as well as their debut recording, The Base Of All Beauty Is The Body. The disparate elements that have come to inform the project thus far are further refined and encoded in their new LP, A Body Turns To Eden.

Black Metal

Borda’s Rope is an enigmatic and unyielding force in the realm of raw Black Metal and continues to embrace their unique identity, with a signature blend of raw aggression and haunting melodies. Prepare to be immersed in a visceral journey as Borda’s Rope unleashes their newest creation, staying true to their roots, an unrelenting lo fi assault on the senses.

Black Metal

Through spectral melodies, a tapestry of darkness and abyssal cold, this split takes us into a journey to unearth the primal essence of both band’s craft: raw Black Metal in the crudest form, relentless, primeval, portraying Black Metal in its most unadulterated and primal state. It harks back to the roots of the genre, where raw emotion and unfiltered expression were the driving forces behind the music.

Black Metal

Bohemia’s BRAN are a power-trio of ancient black metal might and majesty. To be sure, they exhibit the splendorous, spellbinding riff-sorcery so endemic to their country’s black metal idiom, but instead of hypnotizing monochromaticism, BRAN’s epic constructions are always unfolding, always blossoming with a strict sense of narrative flow, surprising and engaging at every turn. Indeed, their Odcházení debut is a march across rarefied lands, for not only does it retain palatably clear production, rendering their ruminations in their most powerful state, but there’s a pronounced grounding in actual METAL here – but thankfully, without any goofy party posturing or “metal brotherhood” bollocks.