Black Metal

Less than a year after “Archaic Conjurations,” Dreadful Relic delivered their first vinyl release—an eruption of all the potential stored in the demo. Recorded after the summer solstice in 2015 and self-released later that year, the “Warlords of the Cosmic Sovereign” MLP showcased the band’s esoteric proclivities and potent songwriting, drawing inspiration from Hellhammer/Celtic Frost, Samael, and other progenitors of the black metal genre. Each side contains an atmospheric intro followed by a bludgeoning original composition. Additionally, the MLP closes with a cover of “In the Shrines of the Kingly Dead” by Treblinka/Tiamat, a song perfectly suited for Dreadful Relic in both style and substance.

Black Metal

This EP of raw, melancholic & bloodthirsty Black Metal is based on the painting and drawing of the same name by William Blake of a Vampyric entity that appeared before him during a séance with John Varley in 1819.
The two would often gather late at night in Varley’s house, and played a game in which Varley would attempt to summon the spirit of a historical or mythological person. On the appearance of the spirit, Blake would then attempt to sketch their likeness.
According to Varley, the imagery of a Flea came to Blake during an 1819 séance.
The Flea entity told Blake that “fleas were inhabited by the souls of such men as were by nature blood thirsty to excess.”
The flea communicated to Mr. Blake; “It was first intended,” said he (the flea) “to make me as big as a bullock; but then when it was considered from my construction, so armed – and so powerful withal, that in proportion to my bulk, mischievous as I now am, that I should have been a too mighty destroyer; it was determined to make me – no bigger than I am.”
The sketch and painting of the Flea, part human, part Vampyre and part reptile have led many to believe William Blake was communing with something far more sinister…

Black Metal

This split album may seem like a strange pairing, but it couldn’t be more fitting! Both entity’s tracks are based around the paranormal and Occult activity which this particular Mountain is notorious for, not only in local folklore but Azgorh’s own personal experiences in the house he grew up in on the mountain, as well as many experiences within the forest of the mountain over the years since… and still to this day. The strange burial-like mounds, the unearthly sounds echoing between the trees and the shadows that stalk the hills. Those who have been on the mountain at night especially know what I speak of. The tracks within this split weave between each band, Drowning the Light bringing its signature haunting, melancholic & majestic Black Metal, while Ghosts of Oceania creates eerie midnight music filled with darkness and a sinister yet sombre nostalgia. Both band’s very existence have been shaped by this mountain and the experiences upon it. This split is the eerie dread that washes over you the deeper into the forest you go, straying from any human path, the eyes of the forest watching… It is the majesty, melancholy and nostalgia that engulfs your being without explanation… It is that which will always haunt you yet draw you in closer… The Mountain always calls…

Black Metal

Debut full-length from this Swiss horde.