Black Metal

Re-issue of the legendary EP by the Norwegian Black Metal solo project Burzum.

Recorded August 1992 at Grieghallen Studios.

Black Metal

Re-issue of the debut studio album by the Norwegian black metal solo project Burzum.

Originally released in March 1992.

Gatefold sleeve.

Ambient

Originally released on Misantrophy Records in 1999.

Black Metal

Cult full-length from 1994 available on Picture LP.

Black Metal

The essence of the Norwegian Black Metal.

Recorded in Breidablik Tonstudio, March 1993.

Black Metal

“The ‘Umskiptar’ album is also a return-to-the-roots album for me, with a strong focus on atmosphere and wholeness rather than anything else. The vocals on this one however are more important than on any other album, with a total of 66 stanzas, some of them even repeated a few times, making up the lyrics of the album. The vocals are very important for the special atmosphere and are more important than on any other Burzum album, and more varied too and as honest as it gets.

The concept of the album is ‘Umskiptar’ (English = ‘Metamorphoses’), a deeply rooted European (i.e. Pagan) Stoic concept of changes. This concept was chosen in a world heading for a new Ice Age, and can therefore also be seen as critique of all the popular political movements of our age of lies.” – Varg Vikernes

Black Metal

The 1996 demo available on LP.

Raw Black Metal

Calling of Phasmic Presence is a new black metal band featuring members from Upir and Vintertodt.

Ceremonial Crypt Desecration is one of the driving forces of black metal out of Australia.

Black LP with two sided insert.

Black Metal

“Into Endless Chaos Records is thrilled to announce the reissue of CALVARYs debut ” Shadow Of the Cross” on limited black vinyl.

The record comes with an OBI-strip & insert.

Black Metal

CANDELABRUM hail from Portugal, renown in the past decade for its polarizing raw black metal scene. The nameless mainman behind the band has been involved within that scene for many years, and even before his native scene found worldwide recognition. And even within that scene/idiom, CANDELABRUM stands alone, enigmatic and electric: his works are slavishly reverential of ancient black metal whilst simultaneously unorthodox. The band’s two albums to date, 2016’s Necrotelepathy and 2018’s Portals, are equally astounding modern classics which emit a strangely shimmering quality amongst an explosion of emotive rawness. Both albums are immersive and mesmerizing experiences unto themselves.

Wisely prizing quality over quantity, CANDELABRUM only emerge from the shadows when a new experience is fully formed and ready to curse/haunt/liberate the listener: at long last, Nocturnal Trance. Truly titled, this third album is a strident synthesis of its monolithic predecessors as well as form meeting content. Conceptually, Nocturnal Trance deals with the same theme of Necrotelepathy and Portals: death and the passage to a different plane, beyond. On those previous CANDELABRUM records, the figure on the front cover is always “moving” – crossing the passage, as it were – but this time, the mainman chose to clearly portray the passage from absolute darkness to an ominous monochromaticism: both a blinding light and a complete lack of it, going beyond darkness and back around to an absence of literally everything.

Black Metal

CANDELABRUM hail from Portugal, renown in the past decade for its polarizing raw black metal scene. The nameless mainman behind the band has been involved within that scene for many years, and even before his native scene found worldwide recognition. And even within that scene/idiom, CANDELABRUM stands alone, enigmatic and electric: his works are slavishly reverential of ancient black metal whilst simultaneously unorthodox. The band’s two albums to date, 2016’s Necrotelepathy and 2018’s Portals, are equally astounding modern classics which emit a strangely shimmering quality amongst an explosion of emotive rawness. Both albums are immersive and mesmerizing experiences unto themselves.

Wisely prizing quality over quantity, CANDELABRUM only emerge from the shadows when a new experience is fully formed and ready to curse/haunt/liberate the listener: at long last, Nocturnal Trance. Truly titled, this third album is a strident synthesis of its monolithic predecessors as well as form meeting content. Conceptually, Nocturnal Trance deals with the same theme of Necrotelepathy and Portals: death and the passage to a different plane, beyond. On those previous CANDELABRUM records, the figure on the front cover is always “moving” – crossing the passage, as it were – but this time, the mainman chose to clearly portray the passage from absolute darkness to an ominous monochromaticism: both a blinding light and a complete lack of it, going beyond darkness and back around to an absence of literally everything.