Black Metal

Producto de conspiración con el nuevo sello chileno Templo del Sol Muerto, traemos ante ustedes el trabajo debut de este joven proyecto del sur de Chile.

Caracterizado por ejecutar un Black Metal con sonido un tanto diferente a lo acostumbrado por estos lados del orbe: ritmos a medio tiempo, voces desgarradas, atmósfera medieval, cruda y melancólica, Kerasfóra nace desde los místicos vientos del sur para entregarnos cuatro tracks llenos de solemne oscuridad.

Dejamos el track promocional ‘Night’s Symbol’, para que se sumergan bajo el manto de la noche y esperen la llegada a este plano de esta nueva banda que de seguro nos seguirá hipnotizando.

Black Metal

LP edition compiling The Art Of Dying (Demo 1993) and Into The Frozen Shadows (Demo 1994).

Black Metal

Formed in 2019, LUNAR CHALICE comprise prolific veterans of the German metal underground. Under the alluring moniker LUNAR CHALICE, the band quickly set upon a slew of releases, first with the Walpurgis Dance demo in 2019 and the Night Poetry EP right after, exhibiting a subtly refreshing approach to classics-minded black metal. The next year came the even-stronger Medieval Cults of Heresy EP, thus setting the stage for the band’s debut full-length.

Taking a relatively longer time given their feverish creativity, LUNAR CHALICE now deliver the grand statement of their so-far-undiscovered powers, Transcendentia: The Shadow Pilgrimage. With one steel-toed boot planted under a funeral moon and the other in a world without end, LUNAR CHALICE give a masterclass in stripped-down
songwriting rich in nuance and dynamics. Their black metal is like a boulder gathering momentum down a mountain and rumbling across valleys; the movement is inexorable, and portends doom, and simply cannot be stopped. LUNAR CHALICE, in effect, extend a spectrum of black metal sonics that’s feral and unhinged on one hand and mercilessly martial on the other; that their almost-overwhelmingly physical onslaught is deliberately (and eerily) clipped betrays both a depth of vision and a rare grace in a landscape usually laden with filth. Which isn’t to say that Transcendentia doesn’t sound “dirty” (it does), but rather that that’s not the overarching thematic – that there’s a sense of ceremony or even regality at play here. Credit due to the absolutely madman vocals of bassist E.I.-M., who more often than not channels a clean tenor that’s more disturbing than most “black metal” vocals.

Black Metal

Moon Incarnate are a new band of old souls, forged with single-minded focus. The band features the duo of Christian Kolf (Valborg) and Matin Vasari (Beyondition), who together wrote, recorded, and produced their debut album over the course of two years in their hometown of Bonn, Germany, with Peter Scartabello (Sky Shadow Obelisk) recording his drum tracks in Providence, Rhode Island, home of H.P. Lovecraft.

Black Metal

Moonblood’s Reh/Demo 10, now entitled “Angelwings in the darkness”, recorded from January to April 1997, professionally restored from the original tape.

Black Metal

Moonblood’s unofficial 8th Rehearsal, recorded in April and June 1996, professionally restored from the master tape and specially mastered for LP with a length of 90 minutes, spread on 2 LPs.

Black Metal

Moonblood’s Reh/Demo 4, recorded from July-August 1995, plus 2 extra tracks (tracks 9 and 10) taken from a yet unknown Reh/tape for the “The Winter Falls Over The Land” Demo, professionally restored from the original tape and specially mastered for LP with a length of almost 70 minutes.

Black Metal

Moonblood’s unofficial 6th Rehearsal, recorded in January 1996, professionally restored from the master tape and specially mastered for LP.

Black Metal

Recorded during several sessions from May to December 1997 with partly a common cassette recorder and later with a 4-track-recorder.
The recording itself remained unreleased and is known as Rehearsal 11, entitled “Worshippers Of The Grim Sepulchral Moon”.

Black Metal

Recorded during September/October 1995 with common cassette recorder.

The recordings are know as Demo 4 “Siegfried – Die Sage Vom Helden”, limited to 50 copies.

Professionally restored from the original tape and specially mastered for LP.

Black Metal

Recorded during December 1994 with a common cassette recorder.

The recording itself remained unreleased and are know as Rehearsal 2, entitled “The evil rules”.

Songs 10-12 are rehearsal recordings, recorded during summer/autumn 1994.

Professionally restored from the original tape and specially mastered for LP with a length of more than 70 minutes