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  • Vargrav (FIN) – Reign In Supreme Darkness BLUE LP 30.88

    Black Metal

    Just as timeless as Netherstorm, if not more so, VARGRAV once again evokes the visionary works of old Obtained Enslavement, Dimmu Borgir, Abigor, Limbonic Art, and especially early Emperor. And once again, another classic of symphonic black metal graces the purple-velvet landscape of our imagination, and it bears the justifiably arrogant title of Reign in Supreme Darkness.

    In stock

  • Vargrav (FIN) – Reign In Supreme Darkness CD 15.88

    Black Metal

    Just as timeless as Netherstorm, if not more so, VARGRAV once again evokes the visionary works of old Obtained Enslavement, Dimmu Borgir, Abigor, Limbonic Art, and especially early Emperor. And once again, another classic of symphonic black metal graces the purple-velvet landscape of our imagination, and it bears the justifiably arrogant title of Reign in Supreme Darkness.

    In stock

  • Vargrav (FIN) – The Nighthold DIGI-CD 16.88

    Black Metal

    From the dawn of the classic debut album, Netherstorm, in 2018, Finland’s VARGRAV have almost single-handedly reinvigorated the oft-maligned symphonic black metal subgenre. Forged in fires from the ancients – founder V-Khaoz’s credentials are vast and stretch back decades – and stoking the embers last left by Obtained Enslavement and Norway’s Covenant and Odium, VARGRAV’s two albums to date stand as proud pillars of shimmering, classics-based obsidian.

    As momentous as those two full-lengths have been, VARGRAV arguably eclipse both with their third album, The Nighthold. With a lineup that now includes the notorious Graf Werwolf von Armageddon on vocals and Moonsorrow members Trollhorn of the Black Harvest on guitars/bass and Baron M. Tarwonen on drums, VARGRAV’s swirling, cosmic surge has never been more potent; their attack is both sharper and dreamier, crystal-clear and opaque simultaneously. That added clarity creates more immediacy as The Nighthold kicks in, for the aggression of old is kicked into overdrive here and the synths take on a truly orchestral aspect. It’s not for nothing that the album is a full hour in length: everything here sounds (and feels) HUGE, one massive velvety purple landscape of stained-glass visions as far as the third eye can see. And all 12 tracks are threaded together in a plausibly cinematic manner; while each is mighty in its own respective right, VARGRAV sequence every song with artistic flair and high drama, concluding the immersive experience with a daresay-soulful guitar solo during the coda of “Creator of the True Realm” that then segues into the nearly-10-minute big-screen instrumental “Ghostlands.” What film or filmic realm one enters into (or leaves) is entirely up to the listener…The Nighthold is boundless!

    In stock

  • Vargrav (FIN) – The Nighthold DLP 34.88

    Black Metal

    From the dawn of the classic debut album, Netherstorm, in 2018, Finland’s VARGRAV have almost single-handedly reinvigorated the oft-maligned symphonic black metal subgenre. Forged in fires from the ancients – founder V-Khaoz’s credentials are vast and stretch back decades – and stoking the embers last left by Obtained Enslavement and Norway’s Covenant and Odium, VARGRAV’s two albums to date stand as proud pillars of shimmering, classics-based obsidian.

    As momentous as those two full-lengths have been, VARGRAV arguably eclipse both with their third album, The Nighthold. With a lineup that now includes the notorious Graf Werwolf von Armageddon on vocals and Moonsorrow members Trollhorn of the Black Harvest on guitars/bass and Baron M. Tarwonen on drums, VARGRAV’s swirling, cosmic surge has never been more potent; their attack is both sharper and dreamier, crystal-clear and opaque simultaneously. That added clarity creates more immediacy as The Nighthold kicks in, for the aggression of old is kicked into overdrive here and the synths take on a truly orchestral aspect. It’s not for nothing that the album is a full hour in length: everything here sounds (and feels) HUGE, one massive velvety purple landscape of stained-glass visions as far as the third eye can see. And all 12 tracks are threaded together in a plausibly cinematic manner; while each is mighty in its own respective right, VARGRAV sequence every song with artistic flair and high drama, concluding the immersive experience with a daresay-soulful guitar solo during the coda of “Creator of the True Realm” that then segues into the nearly-10-minute big-screen instrumental “Ghostlands.” What film or filmic realm one enters into (or leaves) is entirely up to the listener…The Nighthold is boundless!

    In stock

  • Vargrav (FIN) – The Nighthold GOLD DLP 36.88

    Black Metal

    From the dawn of the classic debut album, Netherstorm, in 2018, Finland’s VARGRAV have almost single-handedly reinvigorated the oft-maligned symphonic black metal subgenre. Forged in fires from the ancients – founder V-Khaoz’s credentials are vast and stretch back decades – and stoking the embers last left by Obtained Enslavement and Norway’s Covenant and Odium, VARGRAV’s two albums to date stand as proud pillars of shimmering, classics-based obsidian.

    As momentous as those two full-lengths have been, VARGRAV arguably eclipse both with their third album, The Nighthold. With a lineup that now includes the notorious Graf Werwolf von Armageddon on vocals and Moonsorrow members Trollhorn of the Black Harvest on guitars/bass and Baron M. Tarwonen on drums, VARGRAV’s swirling, cosmic surge has never been more potent; their attack is both sharper and dreamier, crystal-clear and opaque simultaneously. That added clarity creates more immediacy as The Nighthold kicks in, for the aggression of old is kicked into overdrive here and the synths take on a truly orchestral aspect. It’s not for nothing that the album is a full hour in length: everything here sounds (and feels) HUGE, one massive velvety purple landscape of stained-glass visions as far as the third eye can see. And all 12 tracks are threaded together in a plausibly cinematic manner; while each is mighty in its own respective right, VARGRAV sequence every song with artistic flair and high drama, concluding the immersive experience with a daresay-soulful guitar solo during the coda of “Creator of the True Realm” that then segues into the nearly-10-minute big-screen instrumental “Ghostlands.” What film or filmic realm one enters into (or leaves) is entirely up to the listener…The Nighthold is boundless!

    In stock

  • Vargrav (FIN) – The Nighthold PURPLE DLP 36.88

    Black Metal

    From the dawn of the classic debut album, Netherstorm, in 2018, Finland’s VARGRAV have almost single-handedly reinvigorated the oft-maligned symphonic black metal subgenre. Forged in fires from the ancients – founder V-Khaoz’s credentials are vast and stretch back decades – and stoking the embers last left by Obtained Enslavement and Norway’s Covenant and Odium, VARGRAV’s two albums to date stand as proud pillars of shimmering, classics-based obsidian.

    As momentous as those two full-lengths have been, VARGRAV arguably eclipse both with their third album, The Nighthold. With a lineup that now includes the notorious Graf Werwolf von Armageddon on vocals and Moonsorrow members Trollhorn of the Black Harvest on guitars/bass and Baron M. Tarwonen on drums, VARGRAV’s swirling, cosmic surge has never been more potent; their attack is both sharper and dreamier, crystal-clear and opaque simultaneously. That added clarity creates more immediacy as The Nighthold kicks in, for the aggression of old is kicked into overdrive here and the synths take on a truly orchestral aspect. It’s not for nothing that the album is a full hour in length: everything here sounds (and feels) HUGE, one massive velvety purple landscape of stained-glass visions as far as the third eye can see. And all 12 tracks are threaded together in a plausibly cinematic manner; while each is mighty in its own respective right, VARGRAV sequence every song with artistic flair and high drama, concluding the immersive experience with a daresay-soulful guitar solo during the coda of “Creator of the True Realm” that then segues into the nearly-10-minute big-screen instrumental “Ghostlands.” What film or filmic realm one enters into (or leaves) is entirely up to the listener…The Nighthold is boundless!

    In stock

  • In stock

  • Ved Buens Ende (NOR) – Written In Waters GREY DLP 34.88

    Black Metal / Experimental

    The ultimate re-issue of avant-garde Norwegian obscurity.

    Comes with original artwork and pressed from the original 1995 glassmaster!

    First press reissue.

    In stock

  • Véhémence (FRA) – Par Le Sang Versé DLP 48.88

    Black Metal

    Gatefold DLP – Black LPs.

    Silkscreen printing on second disc. Insert.

    FIRST PRESS

    In stock

  • In stock

  • In stock

  • Vengeance Sorcery (USA) – Betrothing Spirits at Nightfall GREY LP 25.88

    Black Metal

    “Betrothing Spirits at Nightfall” is Vengeance Sorcery’s debut full length of morbid black metal. This slab of occult metal has been conjured by the mind of Deathwalker (Nihil Invocation, USA) and derives its influence from bass-driven, black metal cults such as Barathrum, Ride for Revenge, Perverted Ceremony, Demoncy, etc. Originally a 1 piece project, Deathwalker has welcomed help from his homelands & Russian tundra along the path.

    In stock

  • Vengeance Sorcery (USA) – Forbidden Doctrine of the Youthful Gate / Shade of Darkness Casting​.​.​. LP 25.88

    Black Metal

    This slab of occult metal has been conjured by the mind of Deathwalker (Nihil Invocation, USA) and derives its influence from bass-driven, black metal cults such as Barathrum, Ride for Revenge, Perverted Ceremony, Demoncy, etc. Originally a 1 piece project, Deathwalker has welcomed help from his homelands & Russian tundra along the path.

    Tracks 1-5: “Forbidden Doctrine of the Youthful Gate” demo (2019)
    Tracks 6-11: “Shade of Darkness Casting…” demo (2020)

    In stock

  • Vengeance Sorcery (USA) – Witchdance Rising / If None Will Call the Devil’s Blood​.​.​. LP 25.88

    Black Metal

    This slab of occult metal has been conjured by the mind of Deathwalker (Nihil Invocation, USA) and derives its influence from bass-driven, black metal cults such as Barathrum, Ride for Revenge, Perverted Ceremony, Demoncy, etc. Originally a 1 piece project, Deathwalker has welcomed help from his homelands & Russian tundra along the path.

    Tracks 1-6: “Witchdance Rising” demo (2019)
    Tracks 7-11: “If None Will Call the Devil’s Blood…” demo (2019)

    In stock

  • Vengeance Sorcery (USA) – Forbidden Doctrine Of The Youthful Gate MC 11.88

    Raw Black Metal

    The limited demo finaly reissued.

    In stock

  • Vengeance Sorcery (USA) – If None Will Call the Devil’s Blood… MC 11.88

    Raw Black Metal

    The limited demo finaly reissued.

    In stock

  • Vengeance Sorcery (USA) – Shade Of Darkness Casting​.​.​. MC 11.88

    Raw Black Metal

    The limited demo finaly reissued.

    In stock

  • Vengeance Sorcery (USA) – Witchdance Rising MC 11.88

    Raw Black Metal

    The limited demo finaly reissued.

    In stock

  • Venusberg Cardinal (USA) – Atlas of Dungeons CD 15.88

    Black Metal

    Venusberg Cardinal’s Atlas of Dungeons was recorded winter 2010—the same sessions as Departure Chandelier’s Antichrist Rise to Power and was intended as a brother project exploring medieval and ancient tortures depicted across such paintings as The Garden of Earthly Delights and the doom of pre-Raphaelite Greek mythology in what the band describes as “antique black metal.” Originally set for release as a cassette album, this has been pulled from the archives of Occult Antiquities and presented to judged souls now under the banner of NWN! Productions. Musically in line with French black metal influences, Atlas of Dungeons pays special tribute and honors the perverse satanic cruelty, in particular of Cantus Bestiae. Despite using the same 4-track, drums, and guitars as Departure Chandelier in the now fabled Prisoner’s Chant studio, listeners will find a pure minimalist black metal atmosphere devoid of synth with long, hypnotic instrumental passages—until the alarming and eerie outro that features the previously unknown electronic/ambient peripheral of Departure Chandelier…Coronation Prédateur. Welcome, sinners, to the world of Occult Antiquities and antique black metal!

    In stock

  • Venusberg Cardinal (USA) – Atlas of Dungeons LP 26.88

    Black Metal

    Venusberg Cardinal’s Atlas of Dungeons was recorded winter 2010—the same sessions as Departure Chandelier’s Antichrist Rise to Power and was intended as a brother project exploring medieval and ancient tortures depicted across such paintings as The Garden of Earthly Delights and the doom of pre-Raphaelite Greek mythology in what the band describes as “antique black metal.” Originally set for release as a cassette album, this has been pulled from the archives of Occult Antiquities and presented to judged souls now under the banner of NWN! Productions. Musically in line with French black metal influences, Atlas of Dungeons pays special tribute and honors the perverse satanic cruelty, in particular of Cantus Bestiae. Despite using the same 4-track, drums, and guitars as Departure Chandelier in the now fabled Prisoner’s Chant studio, listeners will find a pure minimalist black metal atmosphere devoid of synth with long, hypnotic instrumental passages—until the alarming and eerie outro that features the previously unknown electronic/ambient peripheral of Departure Chandelier…Coronation Prédateur. Welcome, sinners, to the world of Occult Antiquities and antique black metal!

    In stock

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