Black Metal

Blood Fire Death is the fourth album by the Swedish band Bathory. It continued the band’s transition towards more epic songwriting, and includes some of the first Viking metal recordings, although is still mostly black metal. Bathory was formed in Stockholm in 1983. Founder Quorthon, a seventeen-year-old guitarist, was joined by bassist Hanoi and drummer Vans. After various name changes (beginning with Nosferatu, then Natas, Mephisto, Elizabeth Bathory and Countess Bathory) they finally settled on Bathory.

Reissue 2023 from Black Mark.

Majestic Black Metal

Finally available for the first time on LP, originally recorded in 1996.
With a fully restored layout, including handwritten lyrics and totally re-mastered for LP.
Officially released by Ragnarok records, and distributed worldwide by ASRAR.

GOLD LP, Lim. 188

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, GOLD PANTONE and UV SPOT.
Includes a professionally printed thick INSERT.

Majestic Black Metal

Finally available for the first time on LP, originally recorded in 1999.

With a fully restored layout, including handwritten lyrics and totally re-mastered for LP.

Officially released by Ragnarok Records, and distributed worldwide by ASRAR.

SALVIA GREEN LP, Lim. 88 copies

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with SALVIA GREEN FLOOD, SALVIA GREEN PANTONE and UV SPOT.
Includes a professionally printed thick INSERT.

Black Metal

Epic. Colossal. Majestic.
The 1995 masterpiece finally re-issued!
In The Woods… originally started out as the death metal band Green Carnation, until the bands lead member (main composer and guitarist Tchort) left to join the black metal legends Emperor. After Tchorts departure, the remaining band members formed In The Woods…, releasing their first demo in 1993. They released their much praised first full length album, HEart Of The Ages, in 1995. It smells of pagan myths from the deep, eternal forests. A true melancholic atmosphere, haunting a hidden world.

Black Metal

After a compilation based on works from the past, Lord Valtgryftåke “Buried Under the Carved Runes” is a totally fresh and very characteristic facet of this veteran is now shown. A sound coupling of rustic, old and classic aspect of the old pioneering hordes of black metal, this work enhances with malevolent winds some of the chamber recordings, never finished rehearsals etc, all this made available again in a new and characterful album.

Leaving a really interesting overture together with an intense lyrical message, pagan and full of southern mysticism. One of the main decisions to take into consideration was to venture into the old Nordic, Greek and Polish sounds to give an evil form to this new spectrum and transcend various parameters of minimalism orchestrated by a black twilight…

Raw Black Metal

Over an hour of immersive, crypt-mist atmospheric ambient black metal, that howls and chants, rises and swirls in eddies of foggy mystery and grim incantation; shapes, forms, entities and hallucinatory visions emerging from its depths.

Quality Gatefold DLP

Black Metal

Truly, the evidence is there with SORGETID’s first public recording, the full-length Natt av Tusen Dödsfall. Endearingly and engagingly familiar yet done with the deft nous for which V-Khaoz is known, SORGETID’s first salvo is based purely on intuition and the man’s need “to get quite old stuff out of my head – no future, no past.” Existing within those reverently stringent boundaries, Natt av Tusen Dödsfall unveils a landscape rife with melancholy and madness, nostalgia and nightsky mysticism, fury and wonder woven together with elder chainmail forged in the fires of olde. Eight songs across 37 minutes are more than sufficient to paint the atmospheres and sensations that seemingly exist out of time. The album’s no less raw nor polished than it needs to be; rather, it IS, unyielding and undying.