Black Metal

Classic material available again on gatefold DLP

Black Metal

The debut full-length available on LP. Raw Portuguese Black Metal.

Black Metal

Hot on the heels of their celebrated 2018 opus, De Horae Leprae, Délétère slithers back from the abyss to unleash its latest Blasphemy: the tale of Babel, survivor of the Great Deluge, who undertakes the construction of Babylon and the Tower of Babel with his minions, to liberate Tervenificus so he can begin the Theovoration – the consummation of God. Once again, Délétère distills its very own essence of powerful, raw and melodic Black Metal that has quickly earned it a place among the very best that Québec Black Metal has to offer.

Black Metal

All material by Morden Demstervold (Haat, Orodruin, Old Tower etc) compiled and remastered on one LP.
Printed in 200 copies including inlay.

Black Metal

Furthering DENIAL OF GOD’s by-then already-unique style, The Horrors of Satan retains a very medieval feel with its lyrics about witches, werewolves, vampires and the infamous iron gibbet, which was a body-shaped iron cage used to display the bodies of dead or dying criminals. The album also became the beginning of a new and stronger chapter for DENIAL OF GOD, with many of the songs still appearing in the band’s live sets today – a chapter which, so far, has produced several EPs and three albums. It also saw the band moving towards an even-more-epic songwriting, proved by the 13-minute title track, for example, which closes the album.

Black Metal

Underground legends DENIAL OF GOD emerge from the grave with “Death and the Beyond, containing eight cursed tracks in 62 minutes and recorded in 13 days the analog way at the legendary Berno Studio (Grotesque, Kaamos, Amon Amarth,etc) in Sweden.
“Death and the Beyond” captures all the trademark darkness and ghoulish atmosphere of classic DENIAL OF GOD, now going on 20-plus years.
Want the perfect combination of black, death, doom, and heavy metal? Seek “Death and the Beyond”!

Re-issue, 298×2 clear with neon purple marble effect 180g vinyl in polythene black sleeve, gatefold jacket 350g, black flooded inside, 8 page vinyl size booklet on 140g offset art paper, download card, all assembled in a PVC overbag.

Black Metal

Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor. Napoleon’s coronation—the Anti-Christ’s ascent—left the earth damp with the crimson blood of elitism.

Black Metal

With their second album, “Satan Soldier of Fortune”, Departure Chandelier weave in reverse order the process of Napoleonic battlefield cleanup against self-coronation and the emperor’s ascent to deity whom profited off the fallen of both sides. While the dying are stripped naked to fertilize the countryside, boots and teeth are hurriedly taken for sale in Paris. Blood soaked coins fill the grave robber’s purse, the jangling song heard all the way to Notre Dame. Against the backdrop of the throne Illuminated by the bivouac fires, fallen men, horses and cannon wagons churn like twisted celtic knots across the sea of the battlefield as the coronation begins. Dressed in the gown of swarming Merovingian bees, a wreath of laurel arched above his skull, the Regent diamond flashes in the hilt of the Antichrist’s saber encrusted on the gold scepter – rising in his hand, yet unable to support the weight of Charlemagne’s crown. What is dark if Lucifer’s light? Compositionally wild but rich in melody, the band’s unique combination of perched guitars and impending choral keyboards beneath raw unhinged vocals spearheading lyrics of existential rebellion captures the necro sound of old French black metal. The arrangements are shorn of needless complexity, yet greater than the sum of their parts purportedly recorded on the same 4-track with the old distortions and synths used on ‘Antichrist Rise To Power’ now immortalized on their Occult Anti-quities imprint. Indeed, nearly five years in the making, Their Death Is Alive Again!

Black Metal

Originally released in 2011 on the Tour de Garde label, Departure Chandelier’s demo recording, “The Black Crest of Death, the Gold Wreath of War,” was recorded in 2010, a year after “Antichirst Rise To Power,” the band’s recently released debut full-length completed in 2009. With slightly heavier production than the album—an intentional act by the band—this demo nevertheless achieves the same atmosphere, one defined by the inherent discord between the visceral body of the songs and the ornate melodies reflected in the poignant interplay of guitars and keyboards, in which one hears the influence of O.T.A.L. and Strid. Musically and conceptually, Departure Chandelier explore the dichotomous relationship connecting unbridled freedom and the concomitant lust for power with tyranny and despotism.

Black Metal

Tracks 1-11 recorded live on 15/12/2012 in Night and Fog over Finlandia, Helsinki.

Tracks 12-13 recorded live on 30/01/2005 in “Rock for Fatherland” festival, Athens.

Black Metal

Recorded during a secret live ritual somewhere in South America.

Includes an insert.

Black Metal

Parting ways with HETROERTZEN in late 2021, bassist Ham continued down a path of his own, and as the sole composer “Tristan Moreau”, he founded DER TRAUERSCHWAN the same year in the Swedish town Västerås.

The debut album “Sanguinare Vampiris” is the completion of poetry & song that was written during the past two pandemic years.

Inspired by the English poets of the romantic era, lyrical themes explore the naked diary of a vampire, and while musically a bleak conjunction between 90’s black- and doom metal, the harmonic teachings of classical musical theory also have a certain impact.
With influences reaching from Summoning to My Dying Bride, DER TRAUERSCHWAN provides a unique blend of somber doom- and black metal, with vampiric-themed lyrics expressed through haunting songwriting.