Black Metal

Third album of Warloghe!

Long awaited return of unholy Black Metal.

Black Metal

The second full-length of this legendary Finnish act available again on CD.

Black Metal

The new full-length of this legendary Finnish act available on CD!

Unholy Black Metal.

Black Metal

Originally released in various limited editions since early 2019, Burning Banners of the Funereal War began the saga that is WARMOON LORD. Arguably the best-kept secret of the ever-fertile Finnish black metal underground, the band is the sole work of one Lord Vrajitor, a prolific figure in the wider Finnish music underground, but also concurrently the mainman of Old Sorcery. But whereas that band largely/mostly works within the dungeon synth genre, WARMOON LORD is pure & proud black metal of a most fantastical nature – equally medieval, maybe even more so, but burning with icy-hot passion that so fired the second wave during the mythical 1990s.

Black Metal

Digipak CD. Limited to 500 copies.

Black Metal

n a scene of countless carbon copies and soulless attempts to evoke the majesty of the ancient Swedish Black/Death Metal legacy, WATAIN stand alone solemnly. They are watching from the shadows, in genuine victorious sincerity. These Satanic Swedes’ heavily sought after debut release “Rabid Death’s Curse” is finally available again! Initially released in a very limited quantity exclusively to the underground, the originals have been capturing large amounts at internet auctions. Now re-mastered and complete in a glorious digi-pack with a bonus track and all new artwork. “Watain being one of the best bands truly dedicated to keeping the flickering flame of black metal burning black. Utterly cult and underground yet undeniably skilled and intelligent. It’s feral, fast, frenzied and ferocious.”

Black Metal

For a decade now, Finland’s WHITE DEATH have built a small-yet-formidable canon of work that’s come to define modern underground black metal in their nation. It’s no secret that Finland has possessed one of the most potent black metal scenes from the early ’90s onward, and with each new generation that picks up the torch, some are contenders and others are just content to uphold “the Finnish sound.” WHITE DEATH took their time with deploying demos and then their debut album, simply self-titled, but they occupied a unique position between those poles: steeped in noble tradition, but exuding a confidence and charisma that rendered White Death an exceptionally nasty work even with its considerably cleaner production. Three years of silence followed between the release of that debut album and the three-song Promo 2020, which included an Enochian Crescent cover – an inspired choice from an oft-unsung legend, and a portent of grandeur to come.

Black Metal

WINTER ETERNAL return with their boldest record yet: Echoes of Primordial Gnosis. While immediately recognizable as the same WINTER ETERNAL that delivered the preceding modern classic, Echoes of Primordial Gnosis just-as-prominently displays a greater usage of dynamics, particularly those revolving around acoustic and clean-stringed instruments such as cello.

Black Meta

Razorsharp Black Metal attack from this new Finnish Black Metal band without any famous members from other bands.

Monumental songs with a great sense of melody, grim vocals and a sense of true tradition without being clichéd “Finnish Black Metal”

Black Metal

Recorded between September 2021 & March 2022.

Limited to 380 copies.

Black Metal

Compilation of various CDs and EPs.

Black Metal

Now, as summer’s heat inevitably fades away amid soon-to-be-falling leaves, Wooden Throne returns with an equally mighty successor: Eternal Wanderer of the Night Sky. Almost too perfectly titled, Eternal Wanderer of the Night Sky highlights the nostalgia hinted at by its full-length predecessor while also expanding Lehto’s gaze as high as that night sky AND down to the mossy depths of the forest floor. Much of what made Wooden Throne‘s first album such a classic is still intact – acute sense of space (often literally), impassioned performance, kaleidoscopic production – but Eternal Wanderer of the Night Sky is every inch a counterpart / counterpoint. The real development is the prominent usage of piano: never busy but always front and center, sublimely bittersweet notes lead the onward-and-skyward charge, pulling heartstrings as handily as they send chills down the spine. In this sense, and when coupled with Lehto’s more overtly lead-oriented guitar work here, Wooden Throne‘s second album is not so much a strictly “black metal” record as it is an atmospheric metal one – and, once again, paradoxically uplifting no matter what appellation you apply to it.