Black Metal

The year is 1997, the deviant trinity is made up of Equitant, Proscriptor and Shaftiel and therefore, the recording is called The Third Storm Of Cythrául. Osmose Productions is pleased to revive Absu’s third, most blackened thrash record to date. Originally released in 1997, this repressing is exposed as the “2013 Alternate Stereo Mix Edition,” which was remixed by both Proscriptor and J.T. Longoria (King Diamond, Solitude Aeternus, Etc

Black Metal

Recent reissue of the long sold out full-length from 2002.

Black Metal

Bâ’a is composed of three individuals coming from the French black metal scene. Their stylistic approach is both modern and respectful of the broad lines carved by the essential black metal acts of the 90’s. Between devastating riffs, long hypnotic atmospheres, mid-tempo passages flirting with Doom and french vocals chanted as a sermon, their music is epic, melodic and melancholic. At the very heart of the concept and the compositions of the formation lie a central theme : the relationship of Man to the Divine and the damages caused to this connection by Man’s selfish pride and Ego.
For fans of Dissection, Wolves in the Throne Room…

Black Metal

From the forbidden depths of vampiric sorcery emerges Black Funeral’s most haunting conjuration, “Empire of Blood” – a spectral tapestry woven from the arcane mysteries of the undead nobility. This otherworldly opus channels the ancient magicks that flow through immortal veins, where centuries-old rituals bind the living to eternal darkness. Black Funeral is one of the originators of “Vampyric Black Metal” from the early to mid 1990’s! Each track unfolds like an incantation from blood-stained grimoires, driven by haunting tremolo melodies that spiral through the shadows like phantoms in midnight procession. The album’s ethereal atmosphere conjures visions of pale aristocrats performing forbidden rites in candlelit chambers, their empire sustained not by conquest but by the dark arts that transcend mortal understanding.

Black Metal

From the frost-shrouded crypts of eternity emerges Black Funeral’s unholy testament, “Vampyr Throne of the Beast” – a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.

Black Metal

Originally released in the autumn of 2005, of DARK FUNERAL’s fourth album, Attera Totus Sanctus, was arguably the band’s fastest and fiercest record ever – which is all the more remarkable given the band’s longevity to that point. Where most bands soften or slow down as they get older – or break up, respectably, before ruining their good name – DARK FUNERAL proved that age is just a number and made their razor-sharp yet always-melodic sound that much more nuclear-powered. In fact, that they were able combine such amazingly blitzed speeds with melodies that are highly memorable, even at those speeds, is something that’s black magick indeed… And another fiery album cover proved that nothing could extinguish DARK FUNERAL’s inferno!

At long last, OSMOSE will do DARK FUNERAL’s back catalog justice with the first of many reissues. This version of Attera Totus Sanctus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.

Black Metal

Originally released in the autumn of 2001 on the pivotal No Fashion label, DARK FUNERAL’s third album, Diabolis Interium, arguably brought the band to their biggest audiences yet. The album’s release was followed by wealth of touring across both Europe and the United States, the latter still a rarity back then for Scandinavian black metal bands. Indeed, with the razor-sharp execution across Diabolis Interium, DARK FUNERAL were perfect ambassadors for the sound, and for Swedish black metal in general: many bands had come and gone over the ‘90s, but there they stood, sticking to their guns – and spiked gauntlets. Nothing could extinguish this inferno!

At long last, OSMOSE will do DARK FUNERAL’s back catalog justice with the first of many reissues. This version of Diabolis Interium will faithfully reproduce the original. Include 4 cover tracks (King Diamond, Sodom, Slayer, & Mayhem) and 3 live tracks (from South American 2003).

Black Metal

Seven years without a new studio album by long-running Swedish black metal act DARK FUNERAL was a tough time for its worldwide legions of fans, but finally in 2016, two decades after the release of the band’s legendary debut album “The Secrets Of The Black Arts” a new aeon is about to begin. And, DARK FUNERAL’s sixth studio album, “Where Shadows Forever Reign”, produced by Daniel Bergstrand (In Flames, Dimmu Borgir, Behemoth), actually refers back to the aforementioned first album in several ways: Firstly, it proudly comes along with stunning artwork by Necrolord (Dissection, Necrophobic, Emperor) just like “The Secrets…” back in ‘96, secondly, it also marks a debut of sorts as it is the first DARK FUNERAL opus with new vocalist Heljarmadr (Grá). His vitriolic snarl finds a perfect match in Lord Ahriman’s trademark riffing, and shines on the intense opening track, which would not have felt out of place on 1998’s “Vobiscum Satanas”, as well as on the slower epic, “As I Ascend”, the diverse “To Carve Another Wound”, or the grim finale “Where Shadows Forever Reign”. Rewarding their fans to the fullest with an incredibly strong new album burning with passion and determination, DARK FUNERAL shall celebrate a triumphant return…in the sign of the horns.

Black Metal

On „Nomad“, their seventh full-length album, DARKESTRAH venture further on their chosen path of Epic Shamanic Black Metal. Sharp Black Metal riffing and traditional Central Asian melodies, verses from Kyrgyz epic poetry and visions of spiritual quests are all woven into the fabric of this new opus.

Black Metal

With Embrace of Memory (originally released in 2005), Darkestrah reaffirmed their status as one of the most distinctive bands in the black metal scene integrating traditional melodies, instruments, and rhythms into an intense and atmospheric sound that reflects both their cultural roots and their continued evolution. Founded in Kyrgyzstan and now based in Europe, the band has long stood apart for blending the raw power of black metal with the rich traditions of Central Asian music.