Ravens Wing (AUS) – Through The Looking Glass… LP

Black Metal

The SELVHAT magnum opus Gjennom Mørket Famlende will always be a personal favorite of mine. This is where, in my honest opinion, he peaked before he left us, and yet I feel we had even bigger things to come, but alas.

Written, recorded and performed by himself with assistance from E.Blix, also playing drums on these recordings.

Absolutely mesmerizing, chilling Black Metal perfection, I will never stop praising this album!

Even looking back at playing an instrumental CD-r version back in the day, I instantly knew this was something special, and to this day I still think this is one unique album and one of my favorite albums.

Although slightly updated/adjusted layout, this release remains true to the original.

Black Metal

One of the most accomplished newcomers Signal Rex has come across in recent years, the shadowy entity of Valais burst from the voidal womb fully formed in the middle of 2021 with their self-titled debut album. Despite existing in the vast (and vastly inconsistent) wilderness of Bandcamp, Valais in fact imparted a power and poignancy that takes most bands at least a couple records to reach, if at all. Both classically composed and forward-thinking, Valais understood right from the start the core tenets of true black metal, but equally understood how to inject their own personality and poise into such to create something that adds to the language of BLACK METAL rather than mimics its speech patterns (and sloppily so).

No, Valais as a work is a towering monument of tension and release, skillful contours and subtle dynamics, richly malevolent melody and slipstreaming violence. Aesthetic touchstones include the likes of Slidhr, latter-day Leviathan, and even Blut Aus Nord at their wiliest, but Valais also exhibit an understated sense of the pagan – perhaps stemming from their native Ireland, or perhaps from some strange cosmos far beyond our comprehension… Either way, all of this coalesces into a whilrlwinding five-song/37-minute experience that feels far vaster than that succinct runtime otherwise suggests. As such, Signal Rex is honored to rightfully release this tome in all physical formats.

Black Metal

Limited 200 copies.

Black Metal

Emerging from the void of black devotion, Vampirska, The U.S.-based Raw Black Metal entity offers two of it’s most decrepit hymns yet. Walls of overwhelming chaos and depravity with the essence of mysterious and punishing raw black metal that emits an enchanting hypnoticism. The bombardment of devastation is met with another familiar entity of the grotesque and disgusting chambers; Wampyric Rites, the Ecuadorian spectre of the Black Metal Plague Circle. A two-part deliverance of malevolance and agony that call forth an intense massacre of total hatred and suffering. The conspiracy of these two entities brings four summonings to be unleashed onto the hordes.

Black Metal

After 2019’s well-received Endless Trails demo via SIGNAL REX, HOLLOW WOODS strike with a full-length debut fittingly titled Cold Winds Cleave the Earth. While hailing from Finland, this mysterious entity largely eschew their homeland’s reigning black metal idiom, instead taking influence from Ukraine (Roman Saenko’s projects), Norway (early Ulver, equally early Gorgoroth), and especially Russia (the Blazebirth Hall collective). In other words, pure & proud BLACK METAL, nevertheless done with personality and charisma.

Black Metal

By now, IRAE should require little introduction. Since the dawn of this cursed millennium, mainman Vulturius has prolifically pursued a singular vision of RAW BLACK METAL that includes four full-lengths and countless split releases with likeminded comrades. As such, IRAE have almost singlehandedly invigorated Portugal’s black metal scene, particularly the rawer iteration of it, and more recently find themselves aligned with the elite Black Circle, alongside MONS VENERIS, VETALA, Decrepitude, and Rainha Cólera. Fans since the beginning, SIGNAL REX are honored to be aligned with Vulturius for IRAE’s long-awaited fifth album.