| Weight | 0.5 kg |
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Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!
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Despite being a solo project by Miasmyr, “MMXII” was recorded as a band in 2012, performed live in the studio. All tracks have featured on past releases, this recording presents them with a raw, organic feel.
Raw atmospheric Black Metal in the vein of Xasthur, Elysian Blaze and old Striborg.
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Nebelburg was the solo project of Asvaaraz of Grabgesang.
He recorded 3 demos, but only the first one Verdammnis was released to date in 1994.
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Titled Outojen Tornien Varjoissa, FAUSTIAN PACT’s full-length debut is the grand culmination of all the gloriously bewitching work they brewed across that trio of demos. Exploding with an effervescence that’s addicting and undeniable, their swords-aloft attack surges and swells, crests and cascades. At the forefront are stained-glass synths whisked from a time – and a fantastical landscape – far, FAR away, sumptuously underlining their heroic/romantic style of black metal deeply steeped in a nostalgic past. Across the album’s 41 minute (fantastical) landscape are spread lyrics of splendorous mythology, swords & sorcery, vast forgotten realms brought to life through wily, wanderlusting black metal betraying a noble melodicism. FAUSTIAN PACT are thus a unique balance of contrasts: orkish energy vs. mystical atmosphere, dungeon rawness vs. castle-top aristocracy, obsidian darkness vs. gleaming light. So, whether 25 years ago or 2500, removed by a reality or two, Outojen Tornien Varjoissa is timeless BLACK METAL MAGICK – dark medieval times have at last arrived!
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Dolentia returns from the abyss with a new album!
“O Ressurgimento da Verdade” presents Dolentia in its bitter and rawest form, without compromising their true essence: the old Portuguese mysticism, old rituals, old ruins, and lost hidden places in the depths of the Portuguese mountains and forests manifestate through their music in the same intense and timeless way that Dolentia have been embodying since its beginning. The truth resurfaces again….
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From the cold northern terrain of Canada arises a new presence in the underground black metal sphere. TREMBLING VOID skulks into the recently flourishing landscape of one man black metal recording acts and announces his menacing existence like a broken buzz saw. It’s hard to ignore this dark entity.
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An establishment of new sounds, and an extension of familiar sounds, “Vermillion Apparitions Frozen in Chimera Twilight” is VAMPIRSKA at it’s strongest and most enchanting. Six tracks that stylistically expand on what was previously known to be the VAMPIRSKA sound, redefined into darkness with an all-destroying ritual for the supernatural devastation that captures the unfamiliar essence of the entity. VAMPIRSKA reignites the black flame to burn stronger than ever with its most deadly display of black metal carnage to date.
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Dark music from Portugal. A strange and stripped down blend between Black Metal, rock music, melancholy and rage.
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Negros Manifestos de Ordem Venusiana, a split LP presented on noble vinyl, to honor the ancient ways.
Indeed, both hordes wholly honor the ancient ways, and understandably are two of the mightiest and most respected hordes in Portugal’s nowadays raw black metal scene.
Negros Manifestos de Ordem Venusiana is something of an intergenerational pairing, however, as MONS VENERIS have been prolifically polluting the underground since 2003 while ORDEM SATANICA, by comparison, started their near-equally prolific onslaught in 2014.
Nevertheless, as representatives of the Portuguese Black Metal, here on Negros Manifestos de Ordem Venusiana do both hordes create provocative portrayals of their unique darkness and despair.
ORDEM SATANICA are on Side A and unfurl three haunting and medieval tracks, roaming the castle with that spectral rawness they’ve truly made their own the last few years.
MONS VENERIS are on Side B and offer an epic, side-long track that roams the rawest dungeons, spanning punkish bash and hypnotic hysteria alike, torrents of noise to ruin your soul.
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By now, IRAE should require little introduction. Since the dawn of this cursed millennium, mainman Vulturius has prolifically pursued a singular vision of RAW BLACK METAL that includes four full-lengths and countless split releases with likeminded comrades. As such, IRAE have almost singlehandedly invigorated Portugal’s black metal scene, particularly the rawer iteration of it, and more recently find themselves aligned with the elite Black Circle, alongside MONS VENERIS, VETALA, Decrepitude, and Rainha Cólera. Fans since the beginning, SIGNAL REX are honored to be aligned with Vulturius for IRAE’s long-awaited fifth album.
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