Black Metal

Previously released by Atrocity Altar in 2020, “In Death’s Midst” compilation features exclusive tracks from some of the best known raw Black Metal acts (Lament in Winter’s Night, Lampir, Carved Cross, Pissmoon, Orgy of Carrion, Ahulabrum, Obsidian Grave and Gormanudr) and two dark ambient tracks from Cassilda and Dead Procession.

Black vinyl, presented with a reverse board print jacket and two inserts.

RAC / Oi!

The first part of the legendary No Surrender compilation is available again on LP.

It includes track from Skrewdriver, Brutal Attack, Public Enemy, Sudden Impact, Last Orders, Buzzard Bait, Indecent Exposure, Vengeance, Above the Ruins and Final Sound.

RAC / Oi!

Historic 2007 compilation produced by Arisches Reich Productions collects bands of the caliber of: Terrorkorps, Thiwaz, Nostalgie & Blut Und Boden, Hitler’s Harfen and many more.

There are also many covers by bands such as: Kraftschlag, Landser, Race War and Skrewdriver.

Remastered audio, comes in gatefold cover with restored artwork.

RAC / Oi!

Historic 2007 compilation produced by Arisches Reich Productions collects bands of the caliber of: Terrorkorps, Thiwaz, Nostalgie & Blut Und Boden, Hitler’s Harfen and many more.

There are also many covers by bands such as: Kraftschlag, Landser, Race War and Skrewdriver.

Remastered audio, comes in gatefold cover with restored artwork.

Power Electronics

All acts contribute exclusive tracks for the album.

A3 recorded in August 2013 at Institute Of Paraphilia Studies.
B1 music assembled from various bits and pieces left unused during the years. Lyrics written and vocals recorded in 2013.
B3 recorded in hateful and disgusted atmospheres. Dedicated to all human wreckages.

Lp has been pressed on 140 gr black vinyl with black label and black inner sleeve and comes in a deluxe silver silkscreen on black cardboard sleeve, limited to 99 copies w/A4 sized insert in luxury 160 gr ivory paper.

RAC/Oi!

Cult compilation from 1982 is available again on LP.

Black Metal

With the memories of Vaal’s maniacal 2019 performance forever burnt into my psyche, I fervently seek out any and all new material that these Dutch deviants offer up. Vaal said it themselves in the write up for this new album, and I quote “While the fury of Vaal is still present, the focus has shifted towards a more melancholic and atmospheric approach.” I possibly didn’t realise just how much the focus has shifted before hearing this though, “Visioen Van Het Verborgen Land” is altogether more restrained and methodical than their past work, with more emphasis placed on brooding textures and slowly unfolding traditional BM. I appreciate that this small circle from The Netherlands operates within their own deeply transcendent sphere, and that they are light years ahead of my comprehension of BM, so I listen to “Visioen Van Het Verborgen Land” with a sense of the utmost respect, and while I perhaps would of wished for a little more rabid fury and off kilter madness similar to that which was witnessed on that frosty night inside Mayhem at Copenhagen, I can’t help but feel that there is something here, working its way beneath the surface insidiously, and something that will fall into place soon enough if I remain focused and steadfast. Much like “Anthems To The Welkin At Dusk”, “Visioen Van Het Verborgen Land” is likely to be revered long after its time and heralded as a milestone for Vaal, and Vaal should be commended for pushing themselves beyond the tried and true and exploring lands previously untouched.

Black Metal

Formed in 2020, out of the ashes of two projects coming to an end, Los Angeles’ VAAMATAR was born with one intention: to play black metal in its purest form. Raw and fast and free of frills, the full-length Medievalgeist is the follow-up to their debut EP, Evil Witching Black Metal. Immediately, old sensations are awakened and recast anew. The spectre of the second wave of black metal during the 1990s drapes its wings across Medievalgeist, but VAAMATAR’s strong songwriting eludes easy categorization. Instead of early Darkthrone, one can hear here contemporaneously early Dødheimsgard; instead of early Enslaved, the ’90s work of Norway’s Hades; instead of prime Marduk, comparably prime Arckanum, and so on. Which is all to underline that the duo of VAAMATAR are old souls to the bitter end, having imbibed ancient wisdoms and now spilling them freely across their own teachings in the form of Medievalgeist.

Including booklet.

Black Metal

Second full length album from USBM one man act Valac.

Further delusion… Illness and suffering.