| Weight | 0.5 kg |
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Black Metal
One of the most accomplished newcomers Signal Rex has come across in recent years, the shadowy entity of Valais burst from the voidal womb fully formed in the middle of 2021 with their self-titled debut album. Despite existing in the vast (and vastly inconsistent) wilderness of Bandcamp, Valais in fact imparted a power and poignancy that takes most bands at least a couple records to reach, if at all. Both classically composed and forward-thinking, Valais understood right from the start the core tenets of true black metal, but equally understood how to inject their own personality and poise into such to create something that adds to the language of BLACK METAL rather than mimics its speech patterns (and sloppily so).
No, Valais as a work is a towering monument of tension and release, skillful contours and subtle dynamics, richly malevolent melody and slipstreaming violence. Aesthetic touchstones include the likes of Slidhr, latter-day Leviathan, and even Blut Aus Nord at their wiliest, but Valais also exhibit an understated sense of the pagan – perhaps stemming from their native Ireland, or perhaps from some strange cosmos far beyond our comprehension… Either way, all of this coalesces into a whilrlwinding five-song/37-minute experience that feels far vaster than that succinct runtime otherwise suggests. As such, Signal Rex is honored to rightfully release this tome in all physical formats.
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Doom Metal
All copies pressed on a sort of marbled mauve-coloured vinyl, with few colour-variations due to pressing on vinyl leftovers. Comes with a 4-page A5 booklet with Roadburn poster/info.
Live recording from the Roadburn Festival in Tilburg, The Netherlands on April 15th 2011.
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Black Metal
By now, IRAE should require little introduction. Since the dawn of this cursed millennium, mainman Vulturius has prolifically pursued a singular vision of RAW BLACK METAL that includes four full-lengths and countless split releases with likeminded comrades. As such, IRAE have almost singlehandedly invigorated Portugal’s black metal scene, particularly the rawer iteration of it, and more recently find themselves aligned with the elite Black Circle, alongside MONS VENERIS, VETALA, Decrepitude, and Rainha Cólera. Fans since the beginning, SIGNAL REX are honored to be aligned with Vulturius for IRAE’s long-awaited fifth album.
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Black Metal
Originally released as cassette by Mahamvantara Arts Records earlier this year, RÜNDGARD’s first public recording is one literally out of time. Mainman Lord Valtgryftåk is a prolific veteran of Chile’s increasingly potent black metal underground, concurrently handling the likes of Pyreficativm, 13th Temple, Gryftigæn, and Winterstorm among others. And while a number of those bands and satellite entities belonging to the Pure Raw Underground Black Metal Plague are indeed the rawest of the raw, with RÜNDGARD does he delve into ancient times, medieval majesty, and grim splendor somewhere between the earliest Nordic works and contemporaneous Polish ones.
Recorded during two periods over the course of MMXX/MMXXI and now featuring a mix & master by Rudrah Studios, Stronghold of Majestic Ruins suitably evokes its namesake both sonically and thematically. Empirically, the recording evokes the ancient passages and memories of a distant land submerged in mist and an interesting story behind ruins. As Lord Valtgryftåk explains, “Originally, this entity is directly related to those archaic dimensional Valdivian forces that still inhabit our realms, those forces from the past written in blood and guarded by solemn towers and fortresses that still remain alive.” And truly, that past comes alive across the album’s succinct-yet-expansive 25-minute runtime, maintaining a faithful respect for the old traditions and the sound of glorious times with an interesting melodic register at the same time very organic. No record-collector-nerd “raw black metal” here: only authentic ancient vintage!
For those nostalgic for forgotten realms and archaic ages, RÜNDGARD returns from a deep slumber with the fortifying Stronghold of Majestic Ruins!
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Black Metal
Split LP between two Raw Black Metal hordes from Indonesia.
-180gr. Black vinyl. Limited edition
-350gsm. Jacket. Matt varnish. Black inside flood
-Insert
-Black poly-lined inner-sleeves
-Assembled into plastic outer-sleeves
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Black Metal
Four songs of folk/pagan metal from Gelderland in the vein of Isengard, Storm, Grimm, Bergthron.
Limited to 250 handnumbered copies.
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Black Metal
VzörbrëzV demo compilation, presented as a double LP by Altare.
Raw French Black Metal from the Garde Noire circle. Pure demented LLN worship and beyond…
Includes “Demo I”, “Pandemonic Radiance”, “Ascending the Black Throne of Depravation” and “Sacrificial Rites of Infernal Devastation”. Presented with a fold-out sleeve, limited to 200.
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Black Metal
The awaited return of the United States Raw Black Metal entity VAMPIRSKA is spearheaded by the unveiling of “Torturous Omens of Blood and Candlewax” re-issued for the first time by INFERNA PROFUNDUS RECORDS.
“Torturous Omens of Blood and Candlewax” is the debut LP of Raw Black Metal entity VAMPIRSKA, who has established itself as a titan among the scene of this Lo-Fi and enchanting style of black metal. Originally released in Autumn 2020, “Torturous Omens of Blood and Candlewax” pushed VAMPIRSKA into the eyes of many after a large release on CS, CD and LP format. Six tracks with a consistent blend of furious, depressive, and elegant melodies carried into existence with punishing drumming.
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Black Metal
Emerging from the void of black devotion, Vampirska, The U.S.-based Raw Black Metal entity offers two of it’s most decrepit hymns yet. Walls of overwhelming chaos and depravity with the essence of mysterious and punishing raw black metal that emits an enchanting hypnoticism. The bombardment of devastation is met with another familiar entity of the grotesque and disgusting chambers; Wampyric Rites, the Ecuadorian spectre of the Black Metal Plague Circle. A two-part deliverance of malevolance and agony that call forth an intense massacre of total hatred and suffering. The conspiracy of these two entities brings four summonings to be unleashed onto the hordes.
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Black Metal
Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, ORGREL have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!
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